Beyond the Family Romance: The Legend of PascoliGiovanni Pascoli (1855-1912) is one of Italy's most canonical and beloved poets. In Beyond the Family Romance, Maria Truglio offers fresh insight into the uncanny qualities of Pascoli's domestic verse. As suggested by the Freudian title, this study opens a dialogue between Pascoli's literature and Freud's theories, with a particular focus on each author's interrogation of origins. Through close readings and historical contextualization, themes of regression, memory, and other manifestations of 'origins' are analyzed, moving Pascoli's poetry beyond the biographical strictures that have hitherto confined it. Truglio's post-structuralist readings question the dichotomy between 'safety within the home' and the 'threatening outside world,' revealing the ambivalences with which images of the home are fraught in Pascoli's poetry. In addition to the sustained comparison with Freud's writing, Beyond the Family Romance explores parallels between Pascoli's work and such writers as Tarchetti, Boito, Poe, and Invernizio. Rethinking the concept of the fanciullino ('little child'), Truglio shows that Pascoli's poetry enacts a symbiosis between the logic of the rational modern adult and the mythic vision of the child. |
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In this tale of the poor unskilled labourer who from beyond the grave can finally
demand a sort of symbolic restitution from the professional class who exploited
him , Venuti sees ' the disquieting return of the socially repressed . ' 13 Similarly ...
Finally , both speaker and addressee become the object ( * ci ' ) of the final verbs
, as the subject position is ceded to the ' huge cover ' of the tomb . The
grammatical structure , then , helps create the sense of helplessness and
powerlessness ...
When such a soul finally arrives in the afterworld , it is shunned by others and '
wanders alone completely at a loss . . . until forcibly led to its proper dwelling
place ' ( 147 ) . Such is the fate of Myrrhine : the poem opens with the
announcement ...