Shakespeare and the Ends of ComedyIndiana University Press, 1991 - 158 頁 "This is a congenial, lucidly written work, the product of careful thought and attention to performance." --Shakespeare Bulletin "... Jensen has done a service by reminding readers of the variety and richness of the comedy and comic devices in Shakespeare's plays." --Choice "The ear that Jensen brings to the plays themselves results in close readings that are always insightful and stimulate new questions." --English Language Notes "Here is a genuinely readable and enjoyable book... humane, balanced, unpolemical, good humored, and fundamentally sane." --Charles R. Forker "... Jensen has produced a sensitive and eminently readable book that will no doubt figure prominently in future attempts to understand Shakespeare's comic practice." --Shakespeare Yearbook Jensen questions a persistent critical emphasis that finds the meanings of Shakespeare's comedies in their endings. Analyzing The Merchant of Venice, Much Ado about Nothing, As You Like It, Twelfth Night, and Measure for Measure, he shows how much vitality is sacrificed when critics assume that "the end crowns the work." |
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第 1 到 3 筆結果,共 3 筆
... Lear are bound to detect echoes of Edmund's plea to Nature in Orlando's setting " blood " in opposition to " the courtesty of na- tions , " Shakespeare was well advised to give Oliver , at the close of the scene , the brief soliloquy in ...
... Lear's fool ) pointing to motivations and even behav- iors that his betters cannot call by their right names . The rest of this initial scene of clowning has two major functions beyond presenting Lucio . First is the introduction of ...
... Lear : compared to As You Like It , 89 Kliman , Bernice W .: Isabella's rhetorical ineptitude in Measure for Measure , 148n Kott , Jan : darkening of comic endings , 6-7 ; on closure of A Midsummer Night's Dream , 23-24 Krieger , Elliot ...