(2) Win's-winds. The final consonant is often omitted as an' for and, o' for of, &c. (3) Big-build. (5) Snell-bitter. (7) Hald-abiding place, home. (9) Cranreuch-hoar-frost. (11) Gang aft a-gley-often go wrong. (4) Foggage-long grass. (6) But-without. (8) Thole-endure. (10) No thy lane-not alone. A COMPARISON.1 THE lapse of time and rivers is the same, And a wide ocean swallows both at last. A difference strikes, at length, the musing heart: Cowper. THE MESSIAH.3 A SACRED ECLOGUE. YE nymphs of Solyma! begin the song: (1) A similar thought is found in the piece entitled the "Thames" (see p. 9), but there it is merely suggested, here it is amply developed. (2) Nobler mind- the soil of the mind, which is far nobler and more important than that of the land. (3) "The idea of uniting the sacred prophecies and grand imagery of Isaiah with the mysterious visions and pomp of numbers in the Pollio of Virgil, thereby combining both sacred truth and heathen mythology, in predicting the coming of the Messiah, is one of the happiest subjects for producing emotions of sublimity that ever occurred to the mind of a poet."-Roscoe. (4) Solyma-same as Salem, supposed to be the ancient name of Jerusalem. (5) Sublimer-i. e. than those required by common subjects. A comparative sometimes, in English as well as in Latin, has the force of an emphatic positive; "sublimer" therefore means, truly sublime. (6) Mount Pindus, in Thessaly, and Aonia, a district of Boeotia, are celebrated as "haunts of the muses." This fanciful designation thus arises :-the lovely scenery of many parts of Greece suggested beautiful conceptions to the minds of the poets, who, in their turn, personified the influences which thus affected themselves, and gave them the name of muses. Hence, the muses are said to inspire the poet-that is, to sing his song to him-while he merely wrote it down. (7) O Thou, &c.-i. e. the classic muses of Greece are unequal to such a subject, therefore, do Thou, &c. Rapt into future times, the bard1 begun :- Whose sacred flower with fragrance fills the skies; Peace o'er the world her olive wand extend, See nodding forests on the mountains dance : (1) The bard-i. e. Isaiah, or the poet supposed to be endowed from above with the same inspiration. (3) Isaiah xlv. 8. (4) Isaiah xxv. 4. (2) Isaiah xi. 1. (5) Returning Justice-Astrea, the goddess of justice, according to the fable, left the earth in the iron age, being unable to endure the sinfulness of mankind; in this new golden age she will return. See also Isaiah ix. 7. (6) Carmel's flowery top-" The good qualities of the soil of Carmel," says a modern traveller, "are apparent from the fact that many odoriferous plants and flowers, as hyacinths, jonquils, tazettos, anemonies, &c., grow wild upon the mountain." (7) Isaiah xl. 3, 4 (8) Hear him, &c.—so striking an expression that it were to be wished that the next four lines had been omitted, as they only tamely repeat the same idea. G A COMPARISON.1 THE lapse of time and rivers is the same, And a wide ocean swallows both at last. A difference strikes, at length, the musing heart: Cowper. THE MESSIAH.3 A SACRED ECLOGUE. YE nymphs of Solyma! begin the song: (1) A similar thought is found in the piece entitled the "Thames" (see p. 9), but there it is merely suggested, here it is amply developed. (2) Nobler mind-the soil of the mind, which is far nobler and more important than that of the land. (3) "The idea of uniting the sacred prophecies and grand imagery of Isaiah with the mysterious visions and pomp of numbers in the Pollio of Virgil, thereby combining both sacred truth and heathen mythology, in predicting the coming of the Messiah, is one of the happiest subjects for producing emotions of sublimity that ever occurred to the mind of a poet."-Roscoe. (4) Solyma-same as Salem, supposed to be the ancient name of Jerusalem. (5) Sublimer-i.e. than those required by common subjects. A comparative sometimes, in English as well as in Latin, has the force of an emphatic positive; "sublimer" therefore means, truly sublime. (6) Mount Pindus, in Thessaly, and Aonia, a district of Boeotia, are celebrated as "haunts of the muses." This fanciful designation thus arises: the lovely scenery of many parts of Greece suggested beautiful conceptions to the minds of the poets, who, in their turn, personified the influences which thus affected themselves, and gave them the name of muses. Hence, the muses are said to inspire the poet-that is, to sing his song to him--while he merely wrote it down. (7) O Thou, &c.-i. e. the classic muses of Greece are unequal to such a subject, and, therefore, do Thou, &c. On rifted rocks, the dragon's late abodes, The green reed trembles,1 and the bulrush2 nods. To leafless shrubs the flowering palms succeed, Rise, crowned with light, Imperial Salem rise!" And seeds of gold in Ophir's mountains glow. (1) Isaiah xxxv. 1, 7. rush. (2) Bulrush-The prefix bul, for bull, is augmentative-a bulrush is a large "Horse" is used in the same manner, see note 3, page 76. It may be remarked that the Greeks employed the corresponding words, Bous and πо, in a similar way; thus the epithet Bowπic, ox-eyed, applied by Homer to Juno and others, means, having large and beautiful eyes. (3) Isaiah xli. 19; lv. 13. (4) Isaiah xi. 6, 7, 8. (5) Isaiah lxv. 25. (6) Basilisk-from the Greek Baoiλiokoç, a little king-a serpent with a crest, which was fancifully thought like a crown. Some think the spectaclesnake of India is the species intended. A glance from the basilisk's eyes was vulgarly said to be fatal. (7) Isaiah lx. 1. (8) Towery-may either mean literally fortified with towers, or figuratively, rising like a tower; lofty. (9) Isaiah Ix. 4. (10) Isaiah lx. 3. (11) Sabaan-Sabea was a district of Arabia Felix, noted for its frankincense, myrrh, balsam, &c. It is supposed to be the Sheba of Scripture. |