Sheer o'er the crystal battlements: from morn Meanwhile, the winged heralds, by command Of sovereign power, with awful ceremony And trumpet's sound, throughout the host proclaim At Pandemonium,1 the high capital Of Satan and his peers; their summons called By place or choice the worthiest; they anon To mortal combat, or career with lance), Swarmed, and were straitened; till, the signal given, Behold a wonder! They but now who seemed (1) Pandemonium—from the Greek πãv, every, and daiμóviov, a demon-the rendezvous of all the demons. (2) Covered field-i. e. enclosed or listed field-the lists. (3) Panim-Pagan. (See p. 74, note 3.) (4) Brushed-This line, by the abundance of sibilants, aptly illustrates the subject. (5) Expatiate-range at large, traverse to and fro. In bigness to surpass earth's giant sons, Wheels her pale course; they, on their mirth and dance ADDRESS TO LIGHT.6 HAIL, holy Light! offspring of heaven's first-born, May I express thee unblamed? since God is light, (1) Arbitress-witness, spectatress. (2) Nearer to the earth-in allusion to the superstitious notion of witches and fairies having the power of drawing down the moon towards the earth. (3) At large-at liberty, without restraint. (4) In their own dimensions, &c.—Addison particularly admires the ingenuity of the poet in preserving the natural dimensions of the chiefs, while those of the common crowd are contracted. (5) Frequent-in the Latin sense-crowded. (6) "Paradise Lost," book iii. "Our author's address to Light, and lamentation of his own blindness, may perhaps be censured as an excrescence or digression not agreeable to the rules of epic poetry; but yet this is so charming a part of the poem that the most critical reader, I imagine, cannot wish it were omitted. One is even pleased with a fault, if it be a fault, that is the occasion of so many beauties, and acquaints us so much with the circumstances and character of the author."-Newton. (7) Or of the eternal, &c.—i. e. “ or may I without blame call ("express") thee the co-eternal beam of the eternal God?"-Newton. Dwelt from eternity, dwelt then in thee, Escaped the Stygian pool;3 though long detained Taught by the heavenly Muse to venture down Clear spring, or shady grove, or sunny hill, 8 Those other two equalled with me in fate, (1) Bright effluence, &c.-" Thou bright overflowing of that bright, uncreated, self-existent being."-Richardson. (2) Or hear'st thou rather-a pure Latinism-dost thou delight rather to be called? (3) Escaped the Stygian pool, &c.-i. e. having escaped from describing the burning lake in the first book, and Chaos and Night in the second book. (4) Through utter, &c.-i. e. through hell, and the great gulf between heaven and hell. (5) Hard and rare-difficult and seldom achieved. (6) Drop serene, &c.-In reference to the gutta serena," drop serene," or amaurosis, as it is now called, with which he was afflicted. (7) Brooks-Kedron and Siloam. (8) Nor sometimes forget-i.e. sometimes remember; nor being here, in imitation of the Latin idiom, equivalent to, and not. (9) Those other two-Milton speaks of two, and then names four.-Newton's explanation is," Though he mentions four, yet there are two whom he particularly So were I equalled with them in renown, Of Nature's works, to me expunged and rased, SATAN'S MEETING WITH URIEL IN THE SUN.5 HE SOON Saw within ken a glorious angel stand, 6 The same whom John saw also in the sun: His back was turned, but not his brightness hid: desires to resemble; and those he distinguishes both with the epithet 'blind' to make the likeness more striking." He adds, "It seems therefore as if Milton had intended at first to mention only these two, and then currente calamo had added the two others." (1) Mæonides-Homer, so called from Mæonia, the supposed place of his birth, (2) And Tiresias, &c.-Dr. Pearce proposes to correct the false accent in this line, by making "Tiresias" and "Phineus" change places. (3) Thoughts that voluntary, &c.-This, it has been well observed, is perhaps one of the best definitions of poetry that could be framed. (4) And wisdom, &c.—i. e. and presented with wisdom, enfeebled and disparaged; or rather, perhaps, this is an instance of the nominative absolute, wisdom being, &c. (5) "Paradise Lost," book iii. "The figures introduced here," remarks Hazlitt, "have all the elegance and precision of a Greek statue; glossy and impurpled, tinged with golden light." (6) John saw-" And I saw an angel standing in the sun." Rev. xix. 17. Of beaming sunny rays a golden tiar1 Glad was the Spirit impure, as now in hope His journey's end, and our beginning woe.3 In curls on either cheek played; wings he wore He drew not nigh unheard; the angel bright, Who in God's presence, nearest to his throne, That run through all the heavens, or down to th' earth O'er sea and land. (1) Tiar-tiara, or diadem-the ornamental headdress of Eastern princes. (2) Illustrious-bright, glossy. (3) Our beginning woe-the first cause of woe to us-a Latinism. (4) Casts-casts in his mind, contrives a plan. (5) Stripling cherub, &c.-"A finer picture of a young angel," says Newton, "could not be drawn by the pencil of Raphael than is here by the pen of Milton." (6) Prime-first or highest dignity. (7) His habit succinct-i. e. his robe was tucked or looped up for freedom of action; he was prepared for motion. (8) Decent-as the Latin decens, graceful, comely. (9) His eyes, &c.-" Those seven, they are the eyes of the Lord, which run to and fro through the whole earth." Zech. iv. 10. |