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Stood like a tower ;' his form had yet not lost
All her original brightness, nor appeared
Less than archangel ruined, and the excess
Of glory obscured: as when the sun, new risen,
Looks through the horizontal misty air
Shorn of his beams; or from behind the moon,
In dim eclipse, disastrous twilight sheds
On half the nations, and with fear of change
Perplexes monarchs; darkened so, yet shone
Above them all the archangel : but his face
Deep scars of thunder had intrenched; and care
Sat on his faded cheek, but under brows
Of dauntless courage, and considerate pride
Waiting revenge; cruel his eye, but cast
Signs of remorse and passion, to behold
The fellows of his crime~ the followers rather-
(Far other once beheld in bliss !) condemned
For ever now to have their lot in pain :
Millions of spirits for his fault amercedo
Of heaven, and from eternal splendours flung
For his revolt; yet faithfuló how they stood,
Their glory withered : as when heaven's fire
Hath scathed the forest-oaks, or mountain pines,
With singéd top their stately growth, though bare,
Stands on the blasted heath. He now prepared
To speak; whereat their doubled ranks they bend
From wing to wing, and half enclose him round
With all his peers : attention held them mute.
Thrice he assayed, and thrice, in spite of scorn,
Tears, such as angels weep, burst forth : at last

Words, interwove with sighs, found out their way. (1) Like a tower-It may be observed, that no possible limitation of Satan's dimensions could have equalled the effect produced by the indefiniteness of this image.

(2) As when the sun, &c.—“The fallen archangel is compared to the sun when he shines through the horizontal, misty air, shorn of his beams; this is a splendid picture in itself; but Milton does not think it enough; he presses on with another magnificent feature, the eclipse. Nor is this all: the concomitant horrors of the disasters it is believed to portend-perplexity to monarchs, and revolution to nations—are superadded, and then the charm's wound up.!"-Quarterly Review, ubi supra.

(3) Passion-feeling, sympathy.
(4) Amerced-deprived, as a punishment.

(5) Yet faithful-i. e. to behold how faithful ney stood, though they were punished for his fault.


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Anon, out of the earth a fabric huge
Rose like an exhalation, with the sound
Of dulcet symphonies and voices sweet ;
Built like a temple, where pilasters' round
Were set, and Doric pillars, overlaid
With golden architrave;' nor did there want
Cornice or frieze, with bossy sculptures graven ;

The roof was fretted gold. "Not Babylon,
Nor great Alcairo, such magnificence
Equalled in all their glories, to enshrine
Belus or Serapis,” their gods, or seat
Their kings, when Egypt with Assyria strove
In wealth and luxury. The ascending pile
Stood fixed her stately height: and straight the doors,
Opening their brazen folds, discover wide
Within her ample spaces o'er the smooth
And level pavement. From the archéd roof,
Pendent by subtle magic, many a row
Of starry lamps and blazing cressets, * fed
With naphtha and asphaltus, yielded light
As from a sky. The hasty multitude
Admiring entered; and the work some praise,
And some the architect: his hand was known
In heaven by many a towered structure high,
Where sceptered angels held their residence,
And sat as princes; whom the supreme King
Exalted to such power, and gave to rule,
Each in his hierarchy, the orders bright.
Nor was his name unheard or unadored
In ancient Greece; and in Ausonian land5
Men called him Mulciber; and how he fell
From heaven they fabled, thrown by angry



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(1) Pilasters, architrave, &c. These architectural terms may be thus briefly explained :---pilasters, pillars jutting out from the wall; architruve, the chief beam resting immediately on the column; frieze, the part between the architrare and cornice of a column.

(2) Serapis—the usual quantity of this word is Serāpis.
(3) Stood fixed, &c.-Stood (with) her stately height (now) fixed.

(4) Cresset -- from the French croisette, a little cross, because beacons had anciently crosses on their tops-any great light set on high.

(5) Ausonian land- Italy.

Sheer o’er the crystal battlements : from morn
To noon he fell, from noon to dewy eve,
A summer's day; and with the setting sun
Dropt from the zenith, like a falling star,
On Lemnos, the Ægean isle: thus they relate,
Erring ; for he with this rebellious rout
Fell long before ; nor aught availed him now
To have built in heaven high towers ; nor did he 'scape
By all his engines, but was headlong sent
With his industrious crew to build in hell.

Meanwhile, the wingéd heralds, by command
Of sovereign power, with awful ceremony
And trumpet's sound, throughout the host proclaim
A solemn council, forthwith to be held
At Pandemonium, the high capital
Of Satan and his peers ; their summons called
From every band and squared regiment,
By place or choice the worthiest; they anon
With hundreds and with thousands, trooping came,
Attended : all access was thronged; the gates
And porches wide, but chief the spacious hall
(Though like a covered field, where champions bold
Wont ride in armed, and at the soldan's chair
Defied the best of Panimo chivalry,
To mortal combat, or career with lance),
Thick swarmed, both on the ground and in the air,
Brushed4 with the hiss of rustling wings. As bees
In spring-time, when the sun with Taurus rides,
Pour forth their populous youth about the hive
In clusters; they among fresh dews and flowers
Fly to and fro, or on the smoothéd plank,
The suburb of their straw-built citadel,
New rubbed with balm, expatiate, and confer
Their state affairs : so thick the aëry crowd
Swarmed, and were straitened; till, the signal given,
Behold a wonder! They but now who seemed


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(1) Pandemonium-from the Greek trãv, every, and daquóviov, a demon-the rendezvous of all the demons.

(2) Covered field i.e. enclosed or listed field—the lists. (3) Panim-Pagan. (See p. 74, note 3.)

(4) Brushed–This line, by the abundance of sibilants, aptly illustrates the subject.

(5) Expatiate-range at large, traverse to and fro.


In bigness to surpass earth's giant sons,
Now less than smallest dwarfs, in narrow room
Throng numberless, like that pygmëan race
Beyond the Indian mount; or fairy elves,
Whose midnight revels by a forest side
Or fountain, some belated peasant sees,
Or dreams he sees, while overhead the moon
Sits arbitress, and nearer to the earth?
Wheels her pale course; they, on their mirth and dance
Intent, with jocund musick charm his ear;
At once with joy and fear his heart rebounds.
Thus incorporeal spirits to smallest forms
Reduced their shapes immense, and were at large,
Though without number still, amidst the hall
Of that infernal court. But far within,
And in their own dimensions 4 like themselves,
The great seraphic lords and cherubim
In close recess and secret conclave sat;
A thousand demi-gods on golden seats,
Frequent and full. After short silence then,
And summons read, the great consult began.


Hail, holy Light! offspring of heaven's first-born,
Or of the Eternal7 co-eternal beam
May I express thee unblamed ? since God is light,
And never but in unapproached light

(1) Arbitress-witness, spectatress.

(2) Nearer to the earthin allusion to the superstitious notion of witches and fairies having the power of drawing down the moon towards the earth. (3) At large--at liberty, without restraint.

(4) In their own dimensions, &c.-Addison particularly admires the ingenuity of the poet in preserving the natural dimensions of the chiefs, while those of the common crowd are contracted.

(5) Frequent–in the Latin sense-crowded.

(6) “Paradise Lost,” book iii. “Our author's address to Light, and lamentation of his own blindness, may perhaps be censured as an excrescence or digression not agreeable to the rules of epic poetry; but yet this is so charming a part of the poem that the most critical reader, I imagine, cannot wish it were omitted. One is even pleased with a fault, if it be a fault, that is the occasion of so many beauties, and acquaints us go much with the circumstances and character of the author."--Newton.

(7) Or of the eternal, &c.-. e.“ or may I without blame call (" express") thee the co-eternal beam of the eternal God ?”-Newton,

Dwelt from eternity, dwelt then in thee,
Bright effluence of bright essence increate.
Or hear'st thou rather pure ethereal stream,
Whose fountain who shall tell ? Before the sun,
Before the heavens, thou wert; and at the voice
Of God, as with a mantle, didst invest
The rising world of waters dark and deep,
Won from the void and formless infinite.
Thee I revisit now with bolder wing,
Escaped the Stygian pool ;3 though long detained
In that obscure sojourn, while in my flight
Through utter* and through middle darkness borne,
With other notes than to the Orphéan lyre,
I sung of Chaos and eternal Night;
Taught by the heavenly Muse to venture down
The dark descent, and up to reascend,
Though hard and rare : 5 thee I revisit safe,
And feel thy sovran vital lamp; but thou
Revisit’st not these eyes, that roll in vain
To find thy piercing ray, and find no dawn;
So thick a drop serene hath quenched their orbs,
Or dim suffusion veiled. Yet not the more
Cease I to wander where the Muses haunt
Clear spring, or shady grove, or sunny hill,
Smit with the love of sacred song; but chief
Thee, Sion, and the flowery brooks? beneath,
That wash thy hallowed feet, and warbling flow,
Nightly I visit: nor sometimes forget 8
Those other two equalled with me in fate,


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(1) Bright effluence, &c.—" Thou bright overflowing of that bright, uncreated, self-existent being."- Richardson.

(2) Or hear'st thou rather--a pure Latinism-dost thou delight rather to be called?

(3) Escaped the Stygian pool, &c.-i. e. having escaped from describing the burning lake in the first book, and Chaos and Night in the second book.

(4) Through utter, &c.i.e. through hell, and the great gulf between heaven and hell.

(5) Hard and rare-difficult and seldom achieved.

(6) Drop serene, dc.--In reference to the gutta serena,“ drop serene," or amau. rosis, as it is now called, with which he was afflicted.

(7) Brooks-Kedron and Siloam.

(8) Nor sometimes forget-i.e. sometimes remember; nor being here, in imitation of the Latin idiom, equivalent to, and not.

(9) Those other two-Milton speaks of two, and then names four.-Newton's explanation is,“ Though he mentions four, yet there are two whom he particularly

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