Rescripting Shakespeare: The Text, the Director, and Modern ProductionsCambridge University Press, 2002年6月20日 - 268 頁 Building on almost 300 productions from the last 25 years, this 2002 book focuses on the playtexts used when directors stage Shakespeare's plays: the words spoken, the scenes omitted or transposed, and the many other adjustments that must be made. Directors rescript to streamline the playscript and save running time, to eliminate obscurity, conserve on personnel, and occasionally cancel out passages that might not fit their 'concept'. They rewright when they make more extensive changes, moving closer to the role of playwrights, as when the three parts of Henry VI are compressed into two plays. Alan Dessen analyzes what such choices might exclude or preclude, and explains the exigencies faced by actors and directors in placing before today's audiences words targeted at players, playgoers, and playhouses that no longer exist. The results are of interest and importance as much to theatrical professionals as to theatre historians and students. |
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內容
Let it be hid price tags tradeoffs and economies | 1 |
Rescripting Shakespeares contemporaries | 38 |
Adjustments and improvements | 64 |
Inserting an intermissioninterval | 94 |
Whats in an ending? Rescripting final scenes | 109 |
Rescripting stage directions and actions | 136 |
Compressing Henry VI | 166 |
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常見字詞
action actors adjustments Adrian Noble Antony appearance Arden audience Aufidius bad quarto banquet Bogdanov Caesar changes choice climactic climax Coriolanus costume Cressida death delivered director distinctive editions editors Edward effect eliminate especially example exeunt exit Falstaff figures final scene Folio ghosts Globe Hamlet Henry Henry IV Henry VI Hortensio included inserted interpretation Jerry Turner Juliet Kate King Lear lines linked Lord Lucius Macbeth Marcus massed entries Matthew Warchus Michael Michael Attenborough Michael Bogdanov moments moreover murder narrative offstage omitted onstage Othello passage Patton Paulina Petruchio play playgoer presented problems production Quarto readers received text rendition rescripting revealing rewrighting Richard Richard III Roman Romeo RSC Swan RSC TOP Sam Mendes script sense sequence Seyton Shakespeare Shrew signal Sir Peter Hall soliloquy speech stage direction Steven Pimlott streamlined sword Taming Terry Hands theatre theatrical professionals Titus today's visible