Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
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第 1 到 3 筆結果,共 46 筆
第 428 頁
... symbol for me . Analogously , in fictional contexts , when we transfer trains of thought and the related attitudes and feelings from one object to another , a symbol is established . The reason for introducing the notion of transference ...
... symbol for me . Analogously , in fictional contexts , when we transfer trains of thought and the related attitudes and feelings from one object to another , a symbol is established . The reason for introducing the notion of transference ...
第 429 頁
... symbol , are themselves not very precise . Although I have tried to reduce the vagueness a little , my main attempt has been to show why and how " symbol " is not a precise term , and could not usefully be made one . How- ever , there ...
... symbol , are themselves not very precise . Although I have tried to reduce the vagueness a little , my main attempt has been to show why and how " symbol " is not a precise term , and could not usefully be made one . How- ever , there ...
第 430 頁
... symbols . Finally , the question arises whether we would call the flickering candle in the movie " a symbol " if it were shown set beside the dying man , and we saw both processes , the flickering out and the dying , together . The ...
... symbols . Finally , the question arises whether we would call the flickering candle in the movie " a symbol " if it were shown set beside the dying man , and we saw both processes , the flickering out and the dying , together . The ...
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A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analogy analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry evaluation example expression fact false feeling fiction function give hexapod human I. A. Richards idea imagination imitation imply intellect interpretation intuition Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing