Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
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第 1 到 3 筆結果,共 52 筆
第 230 頁
... space shyness , " and certainly the Egyptians were shy of space . It plays no part in their architecture nor in any of their subordinate arts , and all their arts , as I have previously pointed out , were subordinate to architecture ...
... space shyness , " and certainly the Egyptians were shy of space . It plays no part in their architecture nor in any of their subordinate arts , and all their arts , as I have previously pointed out , were subordinate to architecture ...
第 244 頁
... space be- comes concrete reality only in architecture and therefore constitutes its specific character . Having ... space . Beautiful architecture would then be architecture in which the interior space attracts us , ele- vates us and ...
... space be- comes concrete reality only in architecture and therefore constitutes its specific character . Having ... space . Beautiful architecture would then be architecture in which the interior space attracts us , ele- vates us and ...
第 245 頁
... space . If , in the interior of a building , space is defined by six planes ( floor , ceiling and four walls ) , this does not mean that a void enclosed by five planes instead of six - as , for example , a ( roofless ) courtyard or ...
... space . If , in the interior of a building , space is defined by six planes ( floor , ceiling and four walls ) , this does not mean that a void enclosed by five planes instead of six - as , for example , a ( roofless ) courtyard or ...
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A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analogy analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry evaluation example expression fact false feeling fiction function give hexapod human I. A. Richards idea imagination imitation imply intellect interpretation intuition Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing