Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
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第 1 到 3 筆結果,共 70 筆
第 74 頁
... reason which plays the principal and royal part in them is not conceptual , dis- cursive , logical reason , nor even working reason . It is intuitive reason , in the obscure and high regions which are near the center of the soul , and ...
... reason which plays the principal and royal part in them is not conceptual , dis- cursive , logical reason , nor even working reason . It is intuitive reason , in the obscure and high regions which are near the center of the soul , and ...
第 491 頁
... reason . For a primary reason is always a factual statement . Here the reason is not a factual statement but is itself an interpretive judgment - such terms as " animation , " " move- ment , ” and “ placidity " being obvious examples of ...
... reason . For a primary reason is always a factual statement . Here the reason is not a factual statement but is itself an interpretive judgment - such terms as " animation , " " move- ment , ” and “ placidity " being obvious examples of ...
第 618 頁
... reason , whereas if it does not make any such difference , it is not . " This would be to say that instead of speaking of " the reasons why the painting is good , " one would have to speak of “ his reasons why ” and “ my reasons why ...
... reason , whereas if it does not make any such difference , it is not . " This would be to say that instead of speaking of " the reasons why the painting is good , " one would have to speak of “ his reasons why ” and “ my reasons why ...
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A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analogy analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry evaluation example expression fact false feeling fiction function give hexapod human I. A. Richards idea imagination imitation imply intellect interpretation intuition Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing