Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 65 筆
第 132 頁
... reader should be better than the experience of any other reader and why it is possible to correct the interpretation of another reader . It would mean the definite end of all teaching of literature which aims at enhancing the ...
... reader should be better than the experience of any other reader and why it is possible to correct the interpretation of another reader . It would mean the definite end of all teaching of literature which aims at enhancing the ...
第 146 頁
... reader of the poem . Reader of what ? Of the poem . What is the poem ? The experience of the reader of the poem . Hence , a poem is identical with the experience of the reader of the experience of the reader of . . . ? It is as if a ...
... reader of the poem . Reader of what ? Of the poem . What is the poem ? The experience of the reader of the poem . Hence , a poem is identical with the experience of the reader of the experience of the reader of . . . ? It is as if a ...
第 314 頁
... readers proposition p , then the poem does not imply p . Moreover , it would follow that the poem may imply one proposition to one reader and a very different one ( or none at all ) to another reader , or even to the same reader at a ...
... readers proposition p , then the poem does not imply p . Moreover , it would follow that the poem may imply one proposition to one reader and a very different one ( or none at all ) to another reader , or even to the same reader at a ...
其他版本 - 查看全部
常見字詞
A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analogy analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry evaluation example expression fact false feeling fiction function give hexapod human I. A. Richards idea imagination imitation imply intellect interpretation intuition Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing