Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
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第 1 到 3 筆結果,共 80 筆
第 80 頁
... principle of application whereby the measures are read one way for one hand and the other way for the other - like a timetable in which the list of stations is marked : " Eastbound , read down ; Westbound , read up . " As the two hands ...
... principle of application whereby the measures are read one way for one hand and the other way for the other - like a timetable in which the list of stations is marked : " Eastbound , read down ; Westbound , read up . " As the two hands ...
第 200 頁
... principle in the recitative to the dramatic principle in the opera . In Mozart's operas there is perfect congruity between the music and the words . Even the most intricate parts , the finales , are beautiful if judged as a whole ...
... principle in the recitative to the dramatic principle in the opera . In Mozart's operas there is perfect congruity between the music and the words . Even the most intricate parts , the finales , are beautiful if judged as a whole ...
第 560 頁
... principle . It would be a very odd person who denied that the sound of the words of a poem was one of the criteria of the aesthetic merit of a poem , or who maintained that being scientifi cally accurate and up to date was another ...
... principle . It would be a very odd person who denied that the sound of the words of a poem was one of the criteria of the aesthetic merit of a poem , or who maintained that being scientifi cally accurate and up to date was another ...
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A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analogy analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry evaluation example expression fact false feeling fiction function give hexapod human I. A. Richards ideas imagination imitation imply intellect interpretation intuition Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing