Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
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第 1 到 3 筆結果,共 94 筆
第 111 頁
... mind of the continuant self . For this view , the colors and the sensuous shapes and the representations are all in the perceiver's mind , and the only contribution from the physical object is a stimulation of the sensory apparatus of ...
... mind of the continuant self . For this view , the colors and the sensuous shapes and the representations are all in the perceiver's mind , and the only contribution from the physical object is a stimulation of the sensory apparatus of ...
第 135 頁
... mind of the creator and its exact content , which might include a toothache at the moment of creation.15 The whole psychological approach through states of mind , whether of the reader or the listener , the speaker or the author ...
... mind of the creator and its exact content , which might include a toothache at the moment of creation.15 The whole psychological approach through states of mind , whether of the reader or the listener , the speaker or the author ...
第 291 頁
... mind as he proceeds to bring it to birth [ We need to explain ] the purposive thrust of the mind , the mind's ability to follow the lead of something which is not pushing it from behind , so to speak , since it is not - yet - there . It ...
... mind as he proceeds to bring it to birth [ We need to explain ] the purposive thrust of the mind , the mind's ability to follow the lead of something which is not pushing it from behind , so to speak , since it is not - yet - there . It ...
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常見字詞
A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analogy analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry evaluation example expression fact false feeling fiction function give hexapod human I. A. Richards idea imagination imitation imply intellect interpretation intuition Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing