Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
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第 1 到 3 筆結果,共 93 筆
第 271 頁
... emotion , any other sadness , present ? Well , there may very well be . There may be the Alyosha emotion . Whether that is present however depends upon how the passage in question is read . It may be read in such a way , that though ...
... emotion , any other sadness , present ? Well , there may very well be . There may be the Alyosha emotion . Whether that is present however depends upon how the passage in question is read . It may be read in such a way , that though ...
第 273 頁
... emotion " are liquid . See then : Emotions well up . Children and young girls bubble over . There are springs of emotion . A sad person is a deep well . Emotions come in waves ; they are like the tides ; they ebb and flow . There are ...
... emotion " are liquid . See then : Emotions well up . Children and young girls bubble over . There are springs of emotion . A sad person is a deep well . Emotions come in waves ; they are like the tides ; they ebb and flow . There are ...
第 274 頁
... emotion . The emotion is aroused and out it flows . What now happens in the case of the poet ? Ostensibly in his case too emotions are aroused , but they do not flow out . Poets do not cry enough . Emotions are stored up , blocked .
... emotion . The emotion is aroused and out it flows . What now happens in the case of the poet ? Ostensibly in his case too emotions are aroused , but they do not flow out . Poets do not cry enough . Emotions are stored up , blocked .
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A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analogy analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry evaluation example expression fact false feeling fiction function give hexapod human I. A. Richards idea imagination imitation imply intellect interpretation intuition Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing