Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 82 筆
第 116 頁
... become very important , even exceeding in interest that of the con- tinuant . Scores may then be written mainly as instruments to exhibit the performers . Then the situation becomes almost reversed , the score becom- ing practically a ...
... become very important , even exceeding in interest that of the con- tinuant . Scores may then be written mainly as instruments to exhibit the performers . Then the situation becomes almost reversed , the score becom- ing practically a ...
第 289 頁
... become inspired , we may agree . At the same time we should observe that this does not entail that when an artist has been in- spired he becomes incapable of exercising skill in developing his inspira- tion , or that reason in the sense ...
... become inspired , we may agree . At the same time we should observe that this does not entail that when an artist has been in- spired he becomes incapable of exercising skill in developing his inspira- tion , or that reason in the sense ...
第 422 頁
... becomes intelligible in terms of the new stringencies . Obscurity gives way to am- biguity ; what was formerly unclear now appears richly significant . In turn the ambiguities become more and more stylized ; works of the new type become ...
... becomes intelligible in terms of the new stringencies . Obscurity gives way to am- biguity ; what was formerly unclear now appears richly significant . In turn the ambiguities become more and more stylized ; works of the new type become ...
其他版本 - 查看全部
常見字詞
A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analogy analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry evaluation example expression fact false feeling fiction function give hexapod human I. A. Richards idea imagination imitation imply intellect interpretation intuition Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing