Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 84 筆
第 13 頁
... artist . As soon as the spectator , hearer , or reader , feels that the artist is infected by his own production and writes , sings , or plays , for himself , and not merely to act on others , this mental condition of the artist infects ...
... artist . As soon as the spectator , hearer , or reader , feels that the artist is infected by his own production and writes , sings , or plays , for himself , and not merely to act on others , this mental condition of the artist infects ...
第 409 頁
Readings in Aesthetics W. E. Kennick. when questions concerning an artist's intentions are raised , which have to do neither with questions of ends nor with questions of what the artist intended to say or do in the work , but rather with ...
Readings in Aesthetics W. E. Kennick. when questions concerning an artist's intentions are raised , which have to do neither with questions of ends nor with questions of what the artist intended to say or do in the work , but rather with ...
第 499 頁
... artist may undertake his work " -his ulterior aims- and " what the artist intends to say or do in some part of his work ” -his artistic intentions . These two are not the same , and only the latter is of interest here . What sort of ...
... artist may undertake his work " -his ulterior aims- and " what the artist intends to say or do in some part of his work ” -his artistic intentions . These two are not the same , and only the latter is of interest here . What sort of ...
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A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analogy analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry evaluation example expression fact false feeling fiction function give hexapod human I. A. Richards idea imagination imitation imply intellect interpretation intuition Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing