Theatrical Reflections: Notes on the Form and Practice of Drama

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P. Lang, 1992 - 276 頁
Theatrical Reflections consists of essays on such plays as Hamlet, Leonce and Lena, Curse of the Starving Class, The Birthday Party, The Knight of Olmedo, and Androcles and the Lion in addition to reviews of productions of The Servant of Two Masters, Yerma, The Threepenny Opera, Caligula, and Wings, among other works. The author's focus in his essays is on dramatic analysis that ultimately can be of benefit to directors, designers, and even actors - that is, with analysis of character, action, language, and setting that can be translated into viable concepts for theatrical production. In the case of reviews, of course, he is concerned with evaluating the actual concepts behind various theatrical productions. Most of the plays considered here are regularly produced, and it is the goal of this book to make some contribution to their future staging.

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The Ruffian on the Stage
23
Polonius Delay
33
Brecht and Fanshen
43
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關於作者 (1992)

The Author: After receiving his B.A. from the University of Florida and his M.A. from Tulane, Bert Cardullo graduated from the Yale School of Drama with a Doctor of Fine Arts degree in dramaturgy and dramatic criticism. He has published six other books: three as author, Indelible Images: New Perspectives on Classic Films, What Is Neorealism?, and Dramatic Considerations: Essays in Criticism, 1977-1987 (Peter Lang); two as editor, Before His Eyes: Essays in Honor of Stanley Kauffmann and The Film Criticism of Vernon Young; Mr. Cardullo has published widely on both film and drama in addition to having worked as a dramturg on theatrical productions at Yale, Cornell, Tulane, and Florida State. He has taught at Louisiana State University, the University of Richmond, and Wesleyan, and is currently Assistant Professor of Theatre and Drama at the University of Michigan at Ann Arbor, where he serves in both the graduate and the undergraduate programs.

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