Reforming the "bad" Quartos: Performance and Provenance of Six Shakespearean First EditionsUniversity of Delaware Press, 1994 - 232 頁 "The second half of the book explores this theory of the origin of the short quartos, as well as two others: authorial revision and memorial reconstruction. Using a computer-assisted analysis of parallel texts of the six plays, Reforming the "Bad" Quartos demonstrates that actor-reporters were responsible for shaping the short quartos, not Shakespeare himself, for the players apparently reconstructed the plays from their memories of London performances." "If, as this study argues, the actors also adapted the plays, the short quartos preserve the earliest fast-paced popular adaptations of Shakespeare's plays, designed by the actors to please the million."--BOOK JACKET. |
搜尋書籍內容
第 1 到 5 筆結果,共 52 筆
第 12 頁
... differences between Q1 and the more familiar texts of Hamlet as flaws and lapses created by the bad memories of actors who reconstructed the play from their recollections of the play on stage . The questions surrounding the origin of ...
... differences between Q1 and the more familiar texts of Hamlet as flaws and lapses created by the bad memories of actors who reconstructed the play from their recollections of the play on stage . The questions surrounding the origin of ...
第 14 頁
... differences between the six early quartos and the familiar texts were the result of skillful theatrical adaptation ... differences between the long and short versions , differences affecting plot structure , characteriza- tion , and ...
... differences between the six early quartos and the familiar texts were the result of skillful theatrical adaptation ... differences between the long and short versions , differences affecting plot structure , characteriza- tion , and ...
第 15 頁
... differences that might suggest deliberate alteration . But there is one important distinction between my study and Division : even though I believe it is likely that Shake- speare revised some of his plays , I have acknowledged the ...
... differences that might suggest deliberate alteration . But there is one important distinction between my study and Division : even though I believe it is likely that Shake- speare revised some of his plays , I have acknowledged the ...
第 16 頁
... differences between each pair of parallel texts . For example , noting how much of Claudius's part is missing in Q1 Hamlet , I searched the computer transcript for all of Claudius's Folio lines that are omitted in Q1 , allowing closer ...
... differences between each pair of parallel texts . For example , noting how much of Claudius's part is missing in Q1 Hamlet , I searched the computer transcript for all of Claudius's Folio lines that are omitted in Q1 , allowing closer ...
第 18 頁
... differences than be- tween the six short texts and their parallel longer versions . Though both Shrews have in common the Sly induction , the music lesson , the taming plot , the impostor father , and the wager , the handling of all of ...
... differences than be- tween the six short texts and their parallel longer versions . Though both Shrews have in common the Sly induction , the music lesson , the taming plot , the impostor father , and the wager , the handling of all of ...
內容
11 | |
21 | |
23 | |
Characterization | 45 |
Staging | 70 |
Provenance | 93 |
Revision | 95 |
Memorial Reconstruction | 115 |
QuartoFolio Plot Outlines | 173 |
Tables of Closely Linked or Missing Passages | 178 |
Charts Indicating Likely Reporters | 180 |
Tired Reporter Tables | 186 |
Tables of Potentially Deliberate Omissions | 187 |
Notes | 189 |
Works Cited | 211 |
Index | 224 |
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常見字詞
actor playing adaptation Adrian Noble alterations Anne appears Bad Quartos Branagh's Cade Cade's characters Chorus Clifford closely parallel clues compositors copy correlation deliberate differences discussed Duke of York edition Edward eliminates enters exit Falstaff Fenton film Folio texts Folio version French nobles Gloucester Greg Harfleur Henry VI Henry's Horatio Host includes intermediate abridgment Kemble king Latin lesson lines spoken London longer texts longer versions Marcellus memorial reconstruction Mercutio Merry Wives missing in Q octavo omissions Ophelia parallel texts passage Pembroke's Pembroke's Men percent performances Pistol Plantagenets players plot Polonius production Q and F Q Contention Q Henry Q Merry Q1 Hamlet Q1 Romeo quarto version Queen reattributions reconstructed the play reporters revision Richard Duke role Romeo and Juliet Royal Shakespeare Company scene script segment sequence Shakespeare's plays short quartos short texts Shrew soliloquy speech stage directions Suffolk suggested tion tour unique Urkowitz Warwick Windsor Windsor Castle Zeffirelli's
熱門章節
第 105 頁 - Come, bitter conduct, come, unsavoury guide! Thou desperate pilot, now at once run on The dashing rocks thy sea-sick weary bark!
第 85 頁 - Then the Curtaines being drawne, Duke HUMPHREY is discouered in his bed, and two men lying on his brest and smothering him in his bed. And then enter the Duke of SUFFOLKE to them.
第 91 頁 - Alarmes within, and the chambers be discharged, like as it were a fight at sea. And then enter the Captaine of the ship and the Maister, and the Maisters Mate, S.
第 189 頁 - ... diuerse stolne, and surreptitious copies, maimed, and deformed by the frauds and stealthes of injurious impostors, that expos'd them: euen those, are now offer'd to your view cur'd, and perfect of their limbes; and all the rest, absolute in their numbers, as he conceiued them.
第 102 頁 - Tis but thy name that is my enemy ; Thou art thyself, though not a Montague. What's Montague ? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name ! What's in a name?
第 209 頁 - When these Comedies and Tragedies were presented on the Stage, the Actours omitted some Scenes and Passages (with the Authour's consent) as occasion led them; and when private friends desir'da Copy, they then (and justly too) transcribed what they Acted.
第 73 頁 - Alarmes to the battell, YORKE flies, then the chambers be discharged. Then enter the KING, CLA. & GLO. & the rest, & make a, great shout and crie, for YORKE, for YORKE, and then the QUEENE is taken, & the PRINCE, & OXF. & SUM. and then found and enter all againe.
第 38 頁 - Sir, in my heart there was a kind of fighting-, That would not let me sleep...
第 104 頁 - The grey eyde morne smiles on the frowning night, Checkring the Easterne Clouds with streaks of light, And darknesse fleckted like a drunkard reeles, From forth dales pathway, made by Tytans wheeles. Hence will I to my ghostly Friers close cell, His helpe to craue, and my deare hap to tell.
第 36 頁 - I euen now receiv'd of him. Whereas he writes how he escap't the danger, And subtle treason that the king had plotted, Being crossed by the contention of the windes, He found the Packet sent to the king of England, Wherein he saw himselfe betray'd to death, As at his next conuersion with your grace, He will relate the circumstance at full. Queene. Then I percieue there's treason in his lookes That seem'd to sugar o'er his villainie : But I will soothe and please him for a time, For murderous mindes...