: For that same word, rebellion, did divide 2nd part King Henry IV. Act i. Scene 1. NOT SELFISH. Young Clifford. He that is truly dedicate to war 2nd part King Henry VI. Act v, Scene 2. INFECTIOUS. Q. Mar. My lord, cheer up your spirits; our foes are nigh, And this soft courage makes your followers faint. 3rd part King Henry VI. Act ii. Scene 2. Prince. Methinks, a woman of this valiant spirit * Timorous. He should have leave to go away betimes ; 3rd part King Henry VI. Act v. Scene 4. SHOULD RISE WITH THE OCCASION. Q. Margaret. Wise men ne'er sit and wail their loss, But cheerly seek how to redress their harms. What though the mast be now blown over-board, The cable broke, the holding anchor lost, And half our sailors swallowed in the flood ? Yet lives our pilot still. Is't meet that he Should leave the helm, and, like a fearful lad, With tearful eyes add water to the sea, And give more strength to that which hath too much ; Whiles, in his moan, the ship splits on the rock, Which industry and courage might have saved ? Ah, what a shame! ah, what a fault were this ! We will not from the helm, to sit and weep; Ibid. MORAL COURAGE. King. Brave conquerors !—for so you are, Love's Labour's lost. Act i. Scene l. Ist Senator. He's truly valiant, that can wisely suffer The worst that man can breathe ; and make his wrongs His outsides ; wear them, like his raiment, carelessly ; And ne'er prefer his injuries to his heart, To bring it into danger. Timon of Athens. Act iii. Scene 5. INSPIRED BY INTEGRITY. Brutus. There is no terror, Cassius, in your threats; Julius Cæsar. Act iv, Scene 3 PREPARES FOR THE WORST. Cassius. But, since the affairs of men rest still uncertain, Let’s reason with the worst that may befall. Ibid. Act v. Scene I. DANGEROUS WHEN FOUNDED ON FURY. Enobarbus. To be furious, Antony and Cleopatra. Act iii. Scene 11. EXCITED BY HARDSHIPS. Imogen. Famine, Cymbeline. Act iii. Scene 6. The Poet has exhausted the subject, and positively leaves one nothing to say on it. He has exhibited it in all its phases, shown the superiority of moral over animal courage, how it is affected by sympathy and imagination, and above all, placed before as its highest triumph, viz. a conquest over our own bad dispositions. “Verbum sat sapientibus." CUSTOM AND HABIT. Valentine. How use doth breed a habit in a man ! Two Gentlemen of Verona. Act v. Scene 4. MEN'S JUDGMENTS AFFECTED BY HABITS AND CIRCUMSTANCES. Enobarbus. I see men's judgments are Antony and Cleopatra. Act iii. Scene 11. King Lear. The art of our necessities is strange, That can make vile things precious. King Lear. Act iü. Scene 2. VIRTUE ATTAINED BY HABIT. Hamlet. Refrain to-night: Hamlet. Act iii. Scene 4. |