As the last taste of sweets, is sweetest last, Writ in remembrance, more than things long past. King Richard II. Act ii. Scene 1. Antony. What our contempts do often hurl from us, We wish it ours again: the present pleasure, By revolution lowering,* does become The opposite of itself. Antony and Cleopatra. Act i. Scene 2. Octavius Cæsar. It hath been taught us from the primal state That he, which is, was wish'd, until he were: And the ebb'd man, ne'er lov'd, till ne'er worth love, 'Comes dear'd by being lack'd. Ibid. Act i, Scene 4. * By change of time and circumstance, TRUTH. NOT TO BE SPOKEN AT ALL TIMES. Gonzalo. The truth you speak doth lack some gentleness, And time to speak it in: you rub the sore, When you should bring the plaster. Tempest. Act ii. Scene 1. TRUTH IN ACTIONS. Proteus. Truth hath better deeds, than words, to grace it. Two Gentlemen of Verona. Act ii. Scene 2. Norfolk. TRUTH PEACEFUL. Truth hath a quiet breast. King Richard II. Acti. Scene 3. TRUTH PERENNIAL. Prince. Is it upon record? or else reported Successively from age to age? . Buckingham. Upon record, my gracious lord. King Richard III. Act iii. Scene 1. TRUTH has always been so difficult to find, that men have been extremely fond of speculating as to the locality of its residence, and "prating of its whereabouts." It was generally considered a settled fact that it lived somewhere very much out of the way; and with this notion in his head we all know that one writer has declared "it lies hid at the bottom of a well!" I am happy to say, however, that Mr. Browning has at length discovered its snug domicile; and that we have not so far to travel to meet with it, as has been imagined. I make no apology for giving my readers the benefit of the whole passage. Its talented author, having found out truth, will not object to its spread in all directions. "Truth is within ourselves: it takes no rise Where Truth abides in fullness; and, around, Which blinds it, and makes Error: and,' to know,' Whence the imprison'd splendour may dart forth, Paracelsus. VARIETIES OF CHARACTER. SWEET AND sour. Salanio. Nature hath fram'd strange fellows in her time: Some that will evermore peep through their eyes, And laugh, like parrots, at a bagpiper; And others of such vinegar aspèct, That they'll not show their teeth in way of smile, Merchant of Venice. Act i. Scene 1. ORACLES. Gratiano. There are a sort of men, whose visages Do cream and mantle, like a standing pond; If they should speak, would almost damn those ears, Ibid. Cæsar. THE SERIOUS MAN. He reads much; He is a great observer, and he looks Quite through the deeds of men: he loves no plays, Act i. Scene 2. Kent. THE COURTIER. Such smiling rogues as these, Like rats, oft bite the holy cords atwain Which are too intrinse to unloose: smooth every passion Bring oil to fire, snow to their colder moods; Who having been prais'd for bluntness, doth affect A saucy roughness; and constrains the garb, These kind of knaves I know, which in this plainness Ibid. THE QUARRELSOME MAN. Mercutio. Thou! why thou wilt quarrel with a man that hath a hair more, or a hair less, in his beard, than |