Shakespeare and the Confines of ArtRoutledge, 2013年10月11日 - 184 頁 First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control. |
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第 1 到 5 筆結果,共 38 筆
第 頁
... Poetic Styles The Shakespeare Inset Shakespeare Shakespeare's Dramatic Structures Baxter Berry Bradbrook Brennan V Focus on Macbeth Brown VI Shakespeare's Soliloquies Clemen VII Shakespeare's Dramatic Art Clemen VIII A Commentary on ...
... Poetic Styles The Shakespeare Inset Shakespeare Shakespeare's Dramatic Structures Baxter Berry Bradbrook Brennan V Focus on Macbeth Brown VI Shakespeare's Soliloquies Clemen VII Shakespeare's Dramatic Art Clemen VIII A Commentary on ...
第 1 頁
... poetic point , is to be more than favourably compared with Nature as a creator ( with Nature in a fallen world , it is understood ) , for the imaginings of the poet have commerce with God , and they ' know what perfec- tion is'.2 In The ...
... poetic point , is to be more than favourably compared with Nature as a creator ( with Nature in a fallen world , it is understood ) , for the imaginings of the poet have commerce with God , and they ' know what perfec- tion is'.2 In The ...
第 2 頁
... poetic imagination , in spite of his great respect and enthusiasm for the ancient myths , or Poesy Parabolical . Poetry is ' feigned history ' , its use is ' to give some shadow of satisfaction to the mind of man in those points wherein ...
... poetic imagination , in spite of his great respect and enthusiasm for the ancient myths , or Poesy Parabolical . Poetry is ' feigned history ' , its use is ' to give some shadow of satisfaction to the mind of man in those points wherein ...
第 3 頁
... poets from his republic had he not known how profound and wide the influence of poetry was on the individual and on the group . To think of art as a danger is at least to give credit to its power , as Tolstoy's What is Art ? shows also ...
... poets from his republic had he not known how profound and wide the influence of poetry was on the individual and on the group . To think of art as a danger is at least to give credit to its power , as Tolstoy's What is Art ? shows also ...
第 4 頁
... Poetry is a response to the daily necessity of getting the world right , ' Wallace Stevens said.5 ) It is perhaps an odd characteristic of the human race that we should want to listen to stories about imaginary people , to hang on our ...
... Poetry is a response to the daily necessity of getting the world right , ' Wallace Stevens said.5 ) It is perhaps an odd characteristic of the human race that we should want to listen to stories about imaginary people , to hang on our ...
內容
1 | |
2 The Sonnets to the Dark Woman | 17 |
3 Loves Labours Lost | 33 |
4 The Abandond Cave | 49 |
5 Romeo and Juliet | 71 |
6 Hamlet | 83 |
7 The Problem Plays i | 95 |
8 The Problem Plays ii | 109 |
9 The Jacobean Tragedies | 121 |
10 Last Plays | 139 |
Conclusion | 161 |
Notes | 163 |
Index | 168 |
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