Shakespeare and the Confines of ArtRoutledge, 2013年10月11日 - 184 頁 First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control. |
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第 5 頁
... audience , the physical enact- ment of the story makes the passage of the drama a vicarious existence : it is something ' lived through ' . It is indeed a ' play ' : a simulacrum of life that is momentarily put in place of life itself ...
... audience , the physical enact- ment of the story makes the passage of the drama a vicarious existence : it is something ' lived through ' . It is indeed a ' play ' : a simulacrum of life that is momentarily put in place of life itself ...
第 7 頁
... audience to see his unorganized experience in patterns convenient to live with . Even this gap can be closed , because a work written to shatter the pub- lic's peace can in time become a tame unguent . So far as I can see , however ...
... audience to see his unorganized experience in patterns convenient to live with . Even this gap can be closed , because a work written to shatter the pub- lic's peace can in time become a tame unguent . So far as I can see , however ...
第 13 頁
... audiences - or his readers and critics . A comedy may provide that pleasure and contentment which it is the purpose of comedy to give : but it may seem to its author a facile fiction when he thinks of the reality of the difficulties he ...
... audiences - or his readers and critics . A comedy may provide that pleasure and contentment which it is the purpose of comedy to give : but it may seem to its author a facile fiction when he thinks of the reality of the difficulties he ...
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內容
1 | |
2 The Sonnets to the Dark Woman | 17 |
3 Loves Labours Lost | 33 |
4 The Abandond Cave | 49 |
5 Romeo and Juliet | 71 |
6 Hamlet | 83 |
7 The Problem Plays i | 95 |
8 The Problem Plays ii | 109 |
9 The Jacobean Tragedies | 121 |
10 Last Plays | 139 |
Conclusion | 161 |
Notes | 163 |
Index | 168 |
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常見字詞
accept achieved Achilles action All's audience beauty believe Berowne Bertram bring Capulet characters Comedy of Errors comedy's conventions Cordelia corrupt created Dark Woman death Desdemona divine drama Duke Emilia evil experience fantasy feel festive comedies Florizel Friar Frye give Hamlet hate hath heaven Helena honour human Iago idea imagination innocence Jaques killing kind King Lear Leontes lives Love's Labour's Lost lovers lust Macbeth marriage masque Measure for Measure Midsummer Night's Dream mistress mood move nature of things Noble Kinsmen Othello Palamon pattern Perdita Pericles poem poet poetic poetry Prospero reality Romances Romeo and Juliet Rosalind scene scepticism seems sense sequence sexual Shake Shakespeare song sonnets speech spirit story suggest Tempest thee Theseus thou Timon tragedy Troilus and Cressida truth trying turn Twelfth Night Ulysses valuation victory vision Winter's Tale words writing youth