Brill's Companion to Greek and Latin PastoralMarco Fantuzzi, Theodore D. Papanghelis Brill, 2006 - 654 頁 This volume comprises articles by an international team of twenty-three scholars. The contributions focus on the historical genesis, stylistic and narrative features and evolution of pastoral, both as genre and mode, from Theocritus to the Byzantine period. Special attention has been paid to the idea of the 'invention of a fictionalized tradition', and to pastoral's thematic and formal relationship with other literary genres. In their totality, the contributions, as well as offering a comprehensive overview of the more or less familiar issues and ideas discussed in connection with pastoral, point to new emphases, trends and insights in current scholarly work in this area. The volume is addressed to a wide range of students and scholars in classics, but much in it will also be of interest to those working in the fields of comparative and modern literatures. |
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第 1 到 3 筆結果,共 69 筆
第 38 頁
... Lycidas ' song.42 Nothing in the Sappho fragment itself as we have it suggests where Charaxus is coming from ; the assumption in the scholarship + 3 that this poem is involved with the tale of Charaxus ' sojourn in Egypt and his associa ...
... Lycidas ' song.42 Nothing in the Sappho fragment itself as we have it suggests where Charaxus is coming from ; the assumption in the scholarship + 3 that this poem is involved with the tale of Charaxus ' sojourn in Egypt and his associa ...
第 40 頁
... Lycidas ' imagined setting and the setting that closes the poem ; Lycidas imagines himself alone but for bucolic figures , Simichidas and his urban companions form a group at their friend's Thalysia . Lycidas focuses also on the ...
... Lycidas ' imagined setting and the setting that closes the poem ; Lycidas imagines himself alone but for bucolic figures , Simichidas and his urban companions form a group at their friend's Thalysia . Lycidas focuses also on the ...
第 134 頁
... Lycidas is a ' real ' goatherd in the world of the narrator ; he wears a pungent goat - skin and carries a gnarled club ( 7.15–19 ) , and the narrator introduces him with the provocative comment , " no one could fail to recognize him ...
... Lycidas is a ' real ' goatherd in the world of the narrator ; he wears a pungent goat - skin and carries a gnarled club ( 7.15–19 ) , and the narrator introduces him with the provocative comment , " no one could fail to recognize him ...
內容
Lyric | 25 |
R PRETAGOSTINI How Bucolic are Theocritus Bucolic Singers? | 53 |
A FARAONE Magic Medicine and Eros in the Prologue | 75 |
著作權所有 | |
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常見字詞
allusion Amaryllis amoebean ancient Aphrodite Bion Bion's bucolic poetry bucolic song Callimachus Calpurnius character Cleinias Comatas contest contrast Corydon Cyclops Damoetas Daphnis Dionysus echoes Eclogues epic epigram Epitaph for Bion Eros erotic Eugenianus Fantuzzi and Hunter Fantuzzi in Fantuzzi fragments Galatea genre goatherd goats Greek Gutzwiller Hellenistic herds herdsmen Herodas Hesiod hexameter Homer Hubbard idylls imitation lament landscape Latin lines literary locus amoenus Longus Lucretian Lucretius Lycidas Macrembolites Meliboeus Menalcas mime Moschus motif Muses myth mythical narrative narrator nature Nicias Nonnus novel ocritus Ovid panegyric parallel passage pastoral world pharmakon Philetas pipe poem poet poetic Polyphemus Posidippus praise Ptolemy readers reading Reed reference rustic Servius shepherd Sickle Simichidas singer singing story suggests syrinx textuality themes Theocr Theocritean Theocritus Thyrsis tion Tityrus tradition urban verses Virgil Virgilian γὰρ δὲ ἐν καὶ μὲν τὸ τὸν