The Works of William Shakespeare: The Plays Ed. from the Folio of MDCXXIII, with Various Readings from All the Editions and All the Commentators, Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, and an Essay Upon the Genius, 第 4 卷Little, Brown, 1857 |
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第 1 到 5 筆結果,共 39 筆
第 5 頁
... Fairies in his [ Shakespeare's ] time were much in fashion : common tradition had made them familiar , and Spenser's ... fairy of the fireside tale either an embodiment upon the stage or a place in literature , however humble . Evidence ...
... Fairies in his [ Shakespeare's ] time were much in fashion : common tradition had made them familiar , and Spenser's ... fairy of the fireside tale either an embodiment upon the stage or a place in literature , however humble . Evidence ...
第 6 頁
... fairy lore appears to have been made , except of the briefest and most unpretending char- acter and that quite incidentally . Mr. Halliwell seems to have done all that can be done to throw light upon the origin of this unique comedy ...
... fairy lore appears to have been made , except of the briefest and most unpretending char- acter and that quite incidentally . Mr. Halliwell seems to have done all that can be done to throw light upon the origin of this unique comedy ...
第 8 頁
... fairy scene in The Maydes Metamorphosis , an anonymous play attributed to John Lilly ; but this was not published until 1600 ; and who- ever chooses can read the scene in Halliwell's Fairy Mythology of Shakespeare , and see how palpably ...
... fairy scene in The Maydes Metamorphosis , an anonymous play attributed to John Lilly ; but this was not published until 1600 ; and who- ever chooses can read the scene in Halliwell's Fairy Mythology of Shakespeare , and see how palpably ...
第 11 頁
... Fairy Mythology of Shakespeare , p . 91 . to amend the rude English of a Fairy - tale INTRODUCTION . 11.
... Fairy Mythology of Shakespeare , p . 91 . to amend the rude English of a Fairy - tale INTRODUCTION . 11.
第 12 頁
... Fairy - tale published at the for- mer , and because , as we have seen , with all the correction , the tale is still rude and antiquated when compared with the earli- est known edition of the Merry Pranks . To this evidence , afforded ...
... Fairy - tale published at the for- mer , and because , as we have seen , with all the correction , the tale is still rude and antiquated when compared with the earli- est known edition of the Merry Pranks . To this evidence , afforded ...
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常見字詞
Antonio Baptista Bass Bassanio Bian Bianca Bion Biondello bond Collier's folio comedy daughter Demetrius doth ducats Duke Enter Exeunt Exit eyes fair fairy father Folio and quartos fool gentle give Gratiano Gremio hath hear heart Helena Hermia Hippolyta honour Hortensio Jaques Jessica Kate Kath KATHARINA lady Laun Launcelot look lord Lorenzo Love's Labour's Lost lover Lucentio Lysander maid marry master means Merchant of Venice merry misprint mistress moon Nerissa never night Oberon original Orlando Padua passage Petruchio Philostrate play Portia pray Puck Pyramus quartos Quin Robin Goodfellow Rosalind SCENE second folio Shakespeare's Shakespeare's day shew shrew Shylock Signior sleep speak Steevens swear sweet tell thee Theseus thing Titania Touch Tranio unto Venice Vincentio word
熱門章節
第 26 頁 - Swift as a shadow, short as any dream; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth, And ere a man hath power to say 'Behold!
第 37 頁 - Since once I sat upon a promontory, And heard a mermaid on a dolphin's back Uttering such dulcet and harmonious breath That the rude sea grew civil at her song, And certain stars shot madly from their spheres To hear the sea-maid's music.
第 310 頁 - The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well sav'd, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
第 227 頁 - The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus : Let no such man be trusted.
第 76 頁 - The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was.
第 309 頁 - All the world's a stage, And all the men and women merely players. They have their exits, and their entrances ; And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms...
第 356 頁 - It was a lover and his lass, With a hey, and a ho, and a hey nonino, That o'er the green corn-field did pass In the spring time, the only pretty ring time, When birds do sing, hey ding a ding, ding : Sweet lovers love the spring.
第 188 頁 - If a Jew wrong a Christian, what is his humility? revenge: if a Christian wrong a Jew, what should his sufferance be by Christian example? why, revenge. The villany you teach me I will execute; and it shall go hard but I will better the instruction.
第 309 頁 - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon...
第 292 頁 - The seasons' difference, — as, the icy fang And churlish chiding of the Winter's wind, (Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, This is no flattery,) — these are counsellors That feelingly persuade me what I am.