Biographia Literaria, 第 2 卷Clarendon Press, 1907 |
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第 1 到 5 筆結果,共 42 筆
第 20 頁
... speak the tongue , Which SHAKESPEARE spake ; the faith and morals hold , Which MILTON held . În every thing we are sprung Of earth's first blood , have titles manifold ! ” WORDSWORTH . 15 CHAPTER XVI Striking points of difference ...
... speak the tongue , Which SHAKESPEARE spake ; the faith and morals hold , Which MILTON held . În every thing we are sprung Of earth's first blood , have titles manifold ! ” WORDSWORTH . 15 CHAPTER XVI Striking points of difference ...
第 21 頁
... speaking generally , and without allusion to individual names ) seems to propose to himself as his main object , and as that which is the most characteristic of his art , new and striking IMAGES ; with IO INCIDENTS that interest the ...
... speaking generally , and without allusion to individual names ) seems to propose to himself as his main object , and as that which is the most characteristic of his art , new and striking IMAGES ; with IO INCIDENTS that interest the ...
第 22 頁
... speaking with the utmost diffidence ) in our common landscape painters . Their foregrounds and inter- 30 mediate distances are comparatively unattractive : while the main interest of the landscape is thrown into the back- ground , where ...
... speaking with the utmost diffidence ) in our common landscape painters . Their foregrounds and inter- 30 mediate distances are comparatively unattractive : while the main interest of the landscape is thrown into the back- ground , where ...
第 30 頁
... speak a plainer and more emphatic language ; because in that condition of life our elementary feelings coexist in a state of greater simpli- 30 city , and consequently may be more accurately contem- plated , and more forcibly ...
... speak a plainer and more emphatic language ; because in that condition of life our elementary feelings coexist in a state of greater simpli- 30 city , and consequently may be more accurately contem- plated , and more forcibly ...
第 35 頁
... speak a plainer and more emphatic language , " as it is an impersonation of an instinct abandoned by judge- 25 ment . Hence the two following charges seem to me not wholly groundless : at least , they are the only plausible objections ...
... speak a plainer and more emphatic language , " as it is an impersonation of an instinct abandoned by judge- 25 ment . Hence the two following charges seem to me not wholly groundless : at least , they are the only plausible objections ...
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admiration agreeable Apollo Belvedere appear beauty Bertram Biog Brougham Castle character Coleridge Coleridge's common composed composition critic DANE definition delight diction distinction dramatic Edinburgh Review edition effect Elbe English Ennead equally Essay excellence excitement expression faculties fancy feeling former German Greek Hamburg heart human images imagination imitation instance intellectual interest judgement Kant Klopstock Kotzebue lady language Lectures less Letters lines Lyrical Ballads means ment metre Milton mind moral nature object opinion original passage passion perhaps person philosopher pleasure Plotinus poem poet poet's poetry Preface present principle prose published 1807 Ratzeburg reader reason recollect Review rhyme rustic Samuel Daniel Sara Coleridge scene seems sense Shakespeare sonnet soul speaking specimens spirit stanza style sweet taste thing thou thought tion translation truth unity Venus and Adonis verse whole words Wordsworth writings καὶ
熱門章節
第 289 頁 - Lyrical Ballads; in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic, yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith.
第 43 頁 - At her feet he bowed he fell, he lay down at her feet he bowed, he fell where he bowed, there he fell down dead...
第 12 頁 - The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination.
第 35 頁 - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
第 51 頁 - By bud of nobler race: this is an art Which does mend nature, change it rather, but The art itself is nature.
第 74 頁 - LORD, with what care hast thou begirt us round ! Parents first season us : then schoolmasters Deliver us to laws ; they send us bound To rules of reason, holy messengers, Pulpits and Sundays, sorrow dogging sin, Afflictions sorted, anguish of all sizes. Fine nets and stratagems to catch us in, Bibles laid open, millions of surprises, Blessings beforehand, ties of gratefulness, The sound of glory ringing in our ears ; Without, our shame ; within, our consciences ; Angels and grace, eternal hopes and...
第 48 頁 - And in my breast the imperfect joys expire; Yet morning smiles the busy race to cheer, And new-born pleasure brings to happier men; The fields to all their wonted tribute bear; To warm their little loves the birds complain. I fruitless mourn to him that cannot hear, And weep the more because I weep in vain...
第 6 頁 - Wordsworth, on the other hand, was to propose to himself, as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us...
第 45 頁 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
第 118 頁 - For the same sound is in my ears Which in those days I heard. " Thus fares it still in our decay : And yet the wiser mind Mourns less for what age takes away Than what it leaves behind.