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Good-nature and good sense must ever join;
To err is human, to forgive, divine.

But if in noble minds some dregs remain,
Not yet purged off, of spleen and sour disdain;
Discharge that rage on more provoking crimes,
Nor fear a dearth in these flagitious times.
No pardon vile obscenity should find,

Though wit and art conspire to move your mind;
But dulness with obscenity must prove

As shameful sure as impotence in love.

In the fat age of pleasure, wealth, and ease,

Sprung the rank weed, and thrived with large increase:
When love was all an easy monarch's care;

Seldom at council, never in a war:

Jilts ruled the state, and statesmen farces writ;

Nay, wits had pensions, and young lords had wit:
The fair sat panting at a courtier's play,
And not a mask went unimproved away:
The modest fan was lifted up no more,

And virgins smiled at what they blushed before.
The following license of a foreign reign,

Did all the dregs of bold Socinus drain;

Then unbelieving priests reformed the nation,

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And taught more pleasant methods of salvation;

Where Heaven's free subjects might their rights dispute,
Lest God himself should seem too absolute:
Pulpits their sacred satire learned to spare,
And vice admired to find a flatterer there!
Encouraged thus, wit's Titans braved the skies,
And the press groaned with licensed blasphemies.

These monsters, critics! with your darts engage,
Here point your thunder, and exhaust your rage!
Yet shun their fault, who, scandalously nice,
Will needs mistake an author into vice;
All seems infected that the infected spy,
As all looks yellow to the jaundiced eye.

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PART III.

LEARN, then, what morals critics ought to show.
For 'tis but half a judge's task, to know.
'Tis not enough, taste, judgment, learning, join;
In all you speak, let truth and candor shine:
That not alone what to your sense is due
All may allow; but seek your friendship too.

Be silent always, when you doubt your sense;
And speak, though sure, with seeming diffidence:
Some positive, persisting fops we know,
Who, if once wrong, will needs be always so;
But you, with pleasure, own your errors past,
And make each day a critique on the last.

'Tis not enough your counsel still be true;
Blunt truths more mischief than nice falsehoods do;
Men must be taught as if you taught them not,
And things unknown proposed as things forgot.
Without good breeding truth is disapproved;
That only makes superior sense beloved.

Be niggards of advice on no pretence;
For the worst avarice is that of sense.

With mean complacence, ne'er betray your trust,
Nor be so civil as to prove unjust.

Fear not the anger of the wise to raise
Those best can bear reproof who merit praise.

'Twere well might critics still this freedom take,

But Appius reddens at each word you speak,
And stares, tremendous, with a threatening eye,
Like some fierce tyrant in old tapestry.
Fear most to tax an honorable fool,
Whose right it is, uncensured, to be dull

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Such, without wit, are poets when they please,

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As, without learning, they can take degrees.
Leave dangerous truths to unsuccessful satires,
And flattery to fulsome dedicators,

Whom, when they praise, the world believes no more,
Than when they promise to give scribbling o'er.

'Tis best sometimes your censure to restrain, And charitably let the dull be vain:

Your silence there is better than your spite,

For who can rail so long as they can write?
Still humming on, their drowsy course they keep,
And, lashed so long, like tops, are lashed asleep.
False steps but help them to renew the race,
As, after stumbling, jades will mend their pace.
What crowds of these, impenitently bold,
In sounds and jingling syllables grown old,
Still run on poets in a raging vein,

Even to the dregs and squeezing of the brain;
Strain out the last dull droppings of their sense,
And rhyme with all the rage of impotence!

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Such shameless bards we have; and yet, 'tis true,

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There are as mad, abandoned critics, too.

The bookful blockhead, ignorantly read,

With loads of learned lumber in his head,
With his own tongue still edifies his ears,
And always listening to himself appears.
All books he reads, and all he reads assails,
From Dryden's Fables down to Durfey's Tales.
With him most authors steal their works, or buy;

Garth did not write his own Dispensary.

Name a new play, and he's the poet's friend,

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Nay, showed his faults - but when would poets mend?

No place so sacred from such fops is barred,

Nor is Paul's Church more safe than Paul's Churchyard:

Nay, fly to altars; there they'll talk you dead;
For fools rush in where angels fear to tread.
Distrustful sense with modest caution speaks,
It still looks home, and short excursions makes;
But rattling nonsense in full volleys breaks,
And, never shocked, and never turned aside,
Bursts out, resistless, with a thundering tide.

But where's the man who counsel can bestow,
Still pleased to teach, and yet not proud to know?
Unbiassed, or by favor, or in spite;

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Not dully prepossessed, nor blindly right;

Though learn'd, well-bred; and though well-bred, sincere ;

Modestly bold, and humanly severe;

Who to a friend his faults can freely show,
And gladly praise the merit of a foe?
Blessed with a taste exact, yet unconfined;
A knowledge both of books and human kind;
Generous converse; a soul exempt from pride;
And love to praise, with reason on his side?

Such once were critics: such the happy few,
Athens and Rome in better ages knew.
The mighty Stagirite first left the shore,
Spread all his sails, and durst the deeps explore;
He steered securely, and discovered far,
Led by the light of the Mæonian star.
Poets, a race long unconfined and free,
Still fond and proud of savage liberty,

Received his laws; and stood convinced 'twas fit,
Who conquered nature, should preside o'er wit.

Horace still charms with graceful negligence,
And without method talks us into sense;
Will, like a friend, familiarly convey
The truest notions in the easiest way.

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He who, supreme in judgment as in wit,

Might boldly censure, as he boldly writ,

Yet judged with coolness, though he sung with fire;
His precepts teach but what his works inspire.

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Our critics take a contrary extreme.

They judge with fury, but they write with phlegm:

Nor suffers Horace more in wrong translations
By wits, than critics in as wrong quotations.
See Dionysius Homer's thoughts refine,
And call new beauties forth from every line!
Fancy and art in gay Petronius please,
The scholar's learning, with the courtier's ease.

In grave Quintilian's copious work, we find
The justest rules and clearest method joined:
Thus useful arms in magazines we place,

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All ranged in order, and disposed with grace,
But less to please the eye, than arm the hand,
Still fit for use, and ready at command.

Thee, bold Longinus! all the Nine inspire,
And bless their critic with a poet's fire.
An ardent judge, who, zealous in his trust,
With warmth gives sentence, yet is always just:
Whose own example strengthens all his laws;
And is himself that great sublime he draws.

Thus long succeeding critics justly reigned,
License repressed, and useful laws ordained.
Learning and Rome alike in empire grew;
And arts still followed where her eagles flew ;
From the same foes, at last, both felt their doom,
And the same age saw learning fall, and Rome.
With tyranny then superstition joined.
As that the body, this enslaved the mind;
Much was believed, but little understood,
And to be dull was construed to be good;
A second deluge learning thus o'errun,
And the monks finished what the Goths begun.
At length Erasmus, that great injured name
(The glory of the priesthood, and the shame!)
Stemmed the wild torrent of a barbarous age,
And drove those holy Vandals off the stage.

But see! each muse, in Leo's golden days,
Starts from her trance, and trims her withered bays;
Rome's ancient genius, o'er its ruins spread,
Shakes off the dust, and rears his reverent head.

Then sculpture and her sister arts revive;
Stones leaped to form, and rocks began to live;
With sweeter notes each rising temple rung;

A Raphael painted, and a Vida sung.
Immortal Vida! on whose honored brow
The poet's bays, and critic's ivy grow :
Cremona now shall ever boast thy name,
As next in place to Mantua, next in fame!

But soon by impious arms from Latium chased,

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