In foreign realms, and lands remote, Through burning climes I pass'd unhurt, III. Thy mercy sweeten'd every soil, IV. Think, O my soul, devoutly think, In all its horrors rise. V. Confusion dwelt on every face, And fear in every heart; When waves on waves, and gulfs on gulfs O'ercame the pilot's art. VI. Yet then from all my griefs, O Lord! My soul took hold on thee. VII. For though in dreadful whirls we hung I knew thou wert not slow to hear, VIII. The storm was laid, the winds retired, Obedient to thy will; The sea, that roar'd at thy command, At thy command was still. IX. In midst of dangers, fears, and death, Thy goodness I'll adore; And praise thee for thy mercies past, And humbly hope for more x. My life, if thou preservest my life, And death, if death must be my doom, JOHN HUGHES. Marlborough, June 29, 1677-Feb 17, 1719. A painter, a musician, and a poet; we want a diminutive for this last word. The Siege of Damascus, however, ranks Hughes above all his contemporary dramatists. AN ODE, In Praise of Peace. Performed in Stationers' Hall, 1703. I. AWAKE, celestial harmony! Turn testial harmony!' vocal sphere around, Goddess of melodious sound. Let the trumpet's shrill voice, And the drum's thundering noise, Rouse every dull mortal from sorrows profound. See, see! The mighty power of harmony! Behold how soon its charms can chase Grief and gloom from every place! How swift its raptures fly, And thrill through every soul, and brighten every eye! 11. Proceed, sweet charmer of the ear! The moving lyre, And solitary lute, Melting airs soft joys inspire: Airs for drooping hope to hear, Melting as a lover's prayer; Joys to flatter dull despair, And softly soothe the amorous fire. CHORUS. Melting airs soft joys inspire: Airs for drooping hope to hear, And softly soothe the amorous fire. |