Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 54 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 83 筆
第 16 頁
... speak ' to what is now specifically identified as an ' apparition ' that cannot or will not speak until spoken to . As Horatio asserts boldly ' Tush , tush , ' twill not appear ' , our eyes strain to pierce the granular darkness : we ...
... speak ' to what is now specifically identified as an ' apparition ' that cannot or will not speak until spoken to . As Horatio asserts boldly ' Tush , tush , ' twill not appear ' , our eyes strain to pierce the granular darkness : we ...
第 40 頁
... Speak loudly for him . ( V.ii.387-92 ) The ' stage ' ( that is , scaffold ) is the one on which he was asked by Horatio to expose the bodies to view ; its mention shows that he has accepted Horatio's claim to speak authoritatively of ...
... Speak loudly for him . ( V.ii.387-92 ) The ' stage ' ( that is , scaffold ) is the one on which he was asked by Horatio to expose the bodies to view ; its mention shows that he has accepted Horatio's claim to speak authoritatively of ...
第 62 頁
... speak to be understood . ( 290 ) ( 294 ) Rosalind succinctly sums up the pattern when she says , " We four indeed confronted were with four " ( 367 ) . A major pattern informing the play ( and one , to the best of my knowledge , not ...
... speak to be understood . ( 290 ) ( 294 ) Rosalind succinctly sums up the pattern when she says , " We four indeed confronted were with four " ( 367 ) . A major pattern informing the play ( and one , to the best of my knowledge , not ...
常見字詞
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words