Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 54 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 43 筆
第 245 頁
... songs add another dimension to this symmetry by supplanting the ironic enclosures of the ending with a verbal form which counterbalances the egocentric heroic rhetoric of the oath and Petrarchan rhetoric of the sonnets . The songs ...
... songs add another dimension to this symmetry by supplanting the ironic enclosures of the ending with a verbal form which counterbalances the egocentric heroic rhetoric of the oath and Petrarchan rhetoric of the sonnets . The songs ...
第 247 頁
... songs are their guide . It is appropriate , and even necessary , that the final festivity be a specifically aesthetic and objectified one . It is not the expression of the characters ' own realiza- tion but a gift to them - and to the ...
... songs are their guide . It is appropriate , and even necessary , that the final festivity be a specifically aesthetic and objectified one . It is not the expression of the characters ' own realiza- tion but a gift to them - and to the ...
第 284 頁
... Songs at the End of Love's Labour's Lost ' , Shakespeare Studies , vol . VII ( 1974 ) , pp . 55-63 , says that the songs reaffirm cyclic return ' carnival time - circular , as round as Falstaff's belly ' despite ' Cormorant devouring ...
... Songs at the End of Love's Labour's Lost ' , Shakespeare Studies , vol . VII ( 1974 ) , pp . 55-63 , says that the songs reaffirm cyclic return ' carnival time - circular , as round as Falstaff's belly ' despite ' Cormorant devouring ...
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words