The Drawing Guide: A Manual of Instruction in Industrial Drawing, Designed to Accompany the Industrial Drawing Series. With an Introductory Article on the Principles and Practice of Ornamental ArtHarper & brothers, publishers, 1877 - 205 頁 |
搜尋書籍內容
第 1 到 5 筆結果,共 54 筆
第 51 頁
... inches , six inches , etc .; and their distances apart . LESSON II . Vertical Parallel Lines . - A vertical STRAIGHT LINES AND PLANE SURFACES . 51 Straight Lines and Plane Surfaces.
... inches , six inches , etc .; and their distances apart . LESSON II . Vertical Parallel Lines . - A vertical STRAIGHT LINES AND PLANE SURFACES . 51 Straight Lines and Plane Surfaces.
第 53 頁
... inches . ) As a standard of meas- urement , each of the small squares formed by the ruling of the paper is called a ... ( Six square inches . ) How large is No. 7 , and what is its area ? How large is No. 8 , and what is its area ? Hence ...
... inches . ) As a standard of meas- urement , each of the small squares formed by the ruling of the paper is called a ... ( Six square inches . ) How large is No. 7 , and what is its area ? How large is No. 8 , and what is its area ? Hence ...
第 54 頁
... inches . 4. Draw a rectangle of six by eight inches . What is its area ? Ans . Let the Pupil draw the foregoing Problems on the Black- board . No. 4 has twice the length of sides of No. 3. How many times larger than No. 3 is it ? ( Four ...
... inches . 4. Draw a rectangle of six by eight inches . What is its area ? Ans . Let the Pupil draw the foregoing Problems on the Black- board . No. 4 has twice the length of sides of No. 3. How many times larger than No. 3 is it ? ( Four ...
第 56 頁
... inches by 8 inches , laid at right angles across another piece 2 inches by 6 inches . First draw the upper piece , marked 1 , and shade it lightly . The lower piece might have the shading described in No. 4 of Lesson II . No. 2. Draw ...
... inches by 8 inches , laid at right angles across another piece 2 inches by 6 inches . First draw the upper piece , marked 1 , and shade it lightly . The lower piece might have the shading described in No. 4 of Lesson II . No. 2. Draw ...
第 73 頁
... six inches and a depth of one inch , described from the centre c , with a radius of five inches . In the shaded four- angled figure the pattern curve is used in four different po- D sitions . are easily obtained on the ruled paper ...
... six inches and a depth of one inch , described from the centre c , with a radius of five inches . In the shaded four- angled figure the pattern curve is used in four different po- D sitions . are easily obtained on the ruled paper ...
其他版本 - 查看全部
常見字詞
A B C D axis Blackboard block braces Byzantine art cabinet perspective cabinet square central central line centre circle circumference compasses corner line cube cylinder decoration describe diagonal lines diagonal space diagonal square distance dodecagon dotted Draw Fig Drawing-Book drawn eight inches equal Flemish bond four feet four inches fret front face fronting the spectator inches in length inches in thickness inches square inches thick inches wide India ink inner interlacing intersections isometric square Let the pupil line of shadow manner measure moulding Observe octagon ornament outer outlines parallelopiped perfect circles portion post-and-rail fence principles PROBLEMS FOR PRACTICE radius rectangle rectangular represents rhombus ruled paper scale semi-diagonal shading shadow cast side curve similar to Fig six inches sixteen inches solid space diagonal spokes square inches surface three inches three-space diagonal tical twelve inches two-space diagonal upper vertical line walls wheel width
熱門章節
第 87 頁 - Take the length of the keel within board (so much as she treads on the ground) and the breadth within board by the midship beam, from plank to plank, and half the breadth for the depth, then multiply the length by the breadth, and that product by the depth, and divide the whole by 94; the quotient will give the true contents of the tonnage.
第 25 頁 - PROPOSITION 10. Harmony of form consists in the proper balancing, and contrast of, the straight, the inclined, and the curved.
第 39 頁 - Isles — had a style of ornamentation peculiarly their own, and singularly at variance with any thing that can be found in any other part of the world. Celtic ornament was doubtless of independent origin, but it every where bears the impress received by the early introduction of Christianity into the islands. The chief peculiarities of Celtic ornament consist, first, in the entire absence of foliage or other vegetable ornament; and, secondly, in the extreme intricacy and excessive minuteness and...
第 73 頁 - Circle is a plane figure bounded by one uniformly curved line, bed (Fig. 16), called the circumference, every part of which is equally distant from a point within it, called the centre, as a.
第 17 頁 - I never saw so great a proportion of cases in any schools where the pen was so awkwardly held. This excellence must be referred in a great degree to the universal practice of learning to draw, contemporaneously with learning to write. I believe a child will learn both to draw and to write sooner and with more ease, than he will learn writing alone...
第 24 頁 - As in every perfect work of Architecture a true proportion will be found to reign between all the members which compose it, so throughout the Decorative Arts every assemblage of forms should be arranged on certain definite proportions; the whole and each particular member should be a multiple of some simple unit.
第 38 頁 - Wo to them who dwell in a house not built according to the proportions of symmetry. in building an edifice, therefore, let all its parts, from the basement to the roof, be duly considered.
第 37 頁 - It has been said by a competent judge that " Every principle which we can derive from the study of the ornamental art of any other people is not only ever present here, but was by the Moors more universally and truly obeyed.
第 24 頁 - AS IN EVERY PERFECT WORK OF ARCHITECTURE A TRUE PROPORTION WILL BE FOUND TO REIGN BETWEEN ALL THE MEMBERS WHICH COMPOSE IT, SO THROUGHOUT THE DECORATIVE ARTS EVERY ASSEMBLAGE OF FORMS SHOULD BE ARRANGED ON CERTAIN DEFINITE PROPORTIONS : THE JIVHOLE AND EACH PARTICULAR MEMBER SHOULD BE A MULTIPLE OF SOME SIMPLE UNIT.
第 39 頁 - ORNAMENT. little appreciation of pure form, beyond geometrical patterns ; but they possess the happy instinct of harmonizing colors. Their decoration is of a very primitive kind. The Chinese are totally unimaginative ; and their ornamentation is a very faithful expression of the nature of this peculiar people — oddness.