The Spectator, 第 1 卷 |
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第 1 到 5 筆結果,共 7 筆
第 21 頁
... if we look into the writings of the old Italians , such as Cicero and Virgil , we
shall find that the English writers , in their way of thinking and expressing
themselves , resemble those authors much inore than the modern Italians
pretend to do .
... if we look into the writings of the old Italians , such as Cicero and Virgil , we
shall find that the English writers , in their way of thinking and expressing
themselves , resemble those authors much inore than the modern Italians
pretend to do .
第 71 頁
which expresses the resentments of an angry lover , was translated into that
English lamentation , 11 Frail are lover's hopes , & c . 3 And it was pleasant
enough to see the most refined perfons of the British nation dying away , and
languishing ...
which expresses the resentments of an angry lover , was translated into that
English lamentation , 11 Frail are lover's hopes , & c . 3 And it was pleasant
enough to see the most refined perfons of the British nation dying away , and
languishing ...
第 113 頁
Thus the notes of interrogation , or admiration , in the Italian music , if one may so
call them , which resemble their accents in discourse on such occasions , are not
unlike the ordinary tones of an English voice when we are angry ; infomuch that ...
Thus the notes of interrogation , or admiration , in the Italian music , if one may so
call them , which resemble their accents in discourse on such occasions , are not
unlike the ordinary tones of an English voice when we are angry ; infomuch that ...
第 153 頁
We make the same observation of our English blank verse , which often enters
into our common discourse , though we do not attend to it , and is such a due
medium between rhime and proíe , that it feems wonderfully adapted i tragedy : I
am ...
We make the same observation of our English blank verse , which often enters
into our common discourse , though we do not attend to it , and is such a due
medium between rhime and proíe , that it feems wonderfully adapted i tragedy : I
am ...
第 157 頁
Accordingly we find , that more of our English tragedies have succeeded , in
which the favourites of the audience sink under their calamities , than those in
which they recover themselves out of them . The best plays of this kind are the
Orphan ...
Accordingly we find , that more of our English tragedies have succeeded , in
which the favourites of the audience sink under their calamities , than those in
which they recover themselves out of them . The best plays of this kind are the
Orphan ...
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acquaint admiration againſt appear audience beauty body called character club conſider converſation deſign deſire diſcourſe endeavour Engliſh eyes face fall fame figure firſt fome give given greater greateſt half hand head heard heart himſelf hope houſe humour keep kind king lady laſt learned letter lion live look manner MARCH means meet mind moſt muſt myſelf nature never night obſerved occaſion opera particular paſſion perſon piece play pleaſed poet preſent reader reaſon received ſaid ſame ſay ſee ſeems ſeen ſenſe ſet ſeveral ſex ſhall ſhe ſhort ſhould ſome ſpeak Spectator ſtage ſubject ſuch taken talk tell themſelves theſe thing thoſe thought tion told town tragedy turn uſe virtue whole woman women writing young