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FABLE of the Lion and the Man, No. 11. Of the

Children and Frogs, 23. Of Jupiter and the Coun.

tryman, 25.
Falsehood (the Goddess of) No. 63.
Falle wit, the region of it, No. 25.
Falstaff (Sir John) a famous Butt, No. 47.
Fame, generally coveted, No. 73.
Fashion, the force of it, No. 64.
Fear of death often mortal, No. 25.
Fine Gentlemen, a character frequently misapplied by

the Fair Sex, No. 75.
Flutter (Sir Fopling) a comedy; remarks on it, No. 65.
Fools, great plenty of them the first day of April, No. 47.
Freeport (Sir Andrew) a member of the Spectator's club,
French poets, wherein to be imitated by the English, No.45.
Friendship, the great benefit of it, N. 68. The medicine
of life, ibid. The qualifications of a good friend, ibid.


No. 2.


GALLANTRY, wherein true gallantry ought to con-

fift, No. 7.
Gaper: the sign of the gaper frequent in Ainsterdam, No.4",
Ghosts warned out of the playhouse, No.36. The appearance

of a ghost of great efficacy on an English theatre, 44
Gospel gossips described, No. 46.
Goths in poetry, who, No. 62.


HANDKERCHIEF, the great machine for moving
pity in a tragedy, No. 44.


Happinels (true) an enemy to pomp and noise, No. 15.
Hard words ought not to be pronounced right by well-

bred ladies, No. 45.
Heroes in an English tragedy generally lovers, No 40.
Hobbes (Mr.) his observation upon laughter, No 47.
Honeycomb(Will) his character, No. 2. His discourse with

the Spectator in the playhouse, 4. His adventure with

a Pict, 41. Throws his watch into the Thames, 77. Human nature

in all reasonable creatures, No.70.' Honour to be described only by negatives, No. 35. The

genealogy of true honour, ibid. and of false, ibid.


IAMBIC verse the most proper for Greek tragedies,

No. 39.

James, how polished by love, No. 71.
Idiots in great request in most German courts, No. 47.
Idols, who of the Fair Sex so called, No. 73.
Impudence gets the better of modesty, No. 2. An impu-

dence committed by the eyes, 20. The definition of

English, Scotch, and Irish impudence, ibid.
Indian Kings, some of their observations during their

stay here, No. 50.
Indiscretion more hurtful than ill-nature, No. 23.
Injuries how to be measured, No.

Inkle and Yarico, their story, No. 11.
Innocence, not equality, an exemption from reproof, 34.
Jonson (Ben): epitaph by him on a lady, No. 33.
Italian writers florid and wordy, No. 5.


KIMBOW (Tho.) states his case in a letter to the

Spectator, No. 24
Killing-dances censured, No. 67



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LADY’s library described, No. 37.
Lætitia and Daphne, their story, No. 33.
Lampoons written by people that cannot spell, No. 16.

wirty lampoons inflict wounds that are incurable, 23. the inhuman barbarity of the ordinary scribblers of

lamp ons, ibid. Larvati, who so called among the ancients, No. 32 Lath ('Squire) has a good eitate, which he would part

withal for a pair of legs to his mind, No. 32 Laughter (immoderate) a sign of pride, No. 47. the pro

vocations to it, ibid. Lawyers divided into the peaceable and litigious, No. 21.

both forts described, ibid. Lear (King) a tragedy, suffers in the alteration, No. 40 Lee, the poet, well turned for tragedy, No. 39 Learning ought not to claim any merit to itself, but upon

the application of ii, No. 6. Leonora, her character, No. 37. The defcription of her

country feat, ibid. Letters to the Spectator; complaining of the masquerade,

No. 8. from the opera lion, 14. from the under-sexton of Covent-Garden parish. ibid. from the undertaker of the matouerade, ibid. from one who had been to see the opera of Rinaldo, and the puppet-show, ibid. from Charles Lillie, 16. froin the president of the Ugly Club, 17. from S. C. with a complaint against the starers, 20. fron Tho. Prone, who acted the wild boar that was killed by Mrs. Tofts, 22. from William Screne and Ralph Simple, ib. from an actor, ib. from King Latinus, ib. from Tho. Kimbow, 24. from Will Faihion to his would-be acquaintance, ibid. from Mary Tuefay on the fame subject, ib. from a Valetudinarian to the Spectator, 25. from fome persons to the Spectator's Clergyman, 27. from one who would be inspector of the


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sign-posts, 28. from the master of the show at Char.
ing-Cross, ibid. from a member of the Amorous Club
at Oxford, 30. froin a member of the Ugly Club,32.
from a Gentleman to such Ladies as are professed beau.
ties, 33. to the Specta:or from T. D. containing an in-
tended regulation of the playhoule, 36. from the play-
house thunder, ibid. from the Spectator to an affected
very witty man, 38. from a married man, with a com-
plaint that his wife painted, 41. from Abraham Froth,
a member of the Hebdomadal meeting in Oxford, 43.
from a husband plagued with a gospel-gossip, 46. from
an Ogling, master, ib. to the president and fellows of
the Ugly Club, 48. from Hecatissa, ibid. from an old
beau, ib. from Epping, with an account of strollers, ib.
from a Lady, complaining of a passage in the Funeral,
51. from Hugh Goblin, president of the Ugly Club,
52. from Q. R. concerning laughter, ib. Spectator's
answer, ib. from R. B. with a proposal relating to the
education of lovers, 53. from Anna Bella, ib. froin a
splenetic gentleinan, ib. from a reformed starer, com-
plaining of a peeper, ib. from King Latinus, ib. from a
gentleman at Cambridge: an account of a new feet of
philosophers called Loungers, 54. from Celimene, 66.
from a father, complaining of the liberties taken in
country dances, ib. from Jaines to Betty, 71. to the
Spectator from the Ugly Club, at Cambridge, 78. from
a whimsical young lady, 79. from B. D. defiring a

catalogue of books for the female library, ib.
Letter-dropper of antiquity, who, N. 59
Library, a Lady's library described, No. 37
Life, the duration of it uncertain, No. 27
Lindamira, the only wo nan allowed to paint, N. 41
Lion in the Hay-market, occafioned many conje&tures in

the town, N. 13. very gentle to the Spectator, ibid.
London an emporium for the whole earth, No. 69
Love, the general concern of it, No. 30
Love of the world, our hearts misled by it, No. 27



Luxury, what, No. 55. attended often with avarice, No.

27. a fable of those two vices, ibid. Loungers, a new sect of philofophers in Cambridge, No. 54


MAN a sociable animal, No. 9. The loss of public and private virtues owing to men of parts,

6 Masquerade, a complaint against it, No. 8. The design

of it, ibid. Mazarine (Cardinal) his behaviour to Quillet, who had reflected upon him in a poem,


23 Merchants of great benefit to the public, No. 69 Mixt wit described, No. 62 Mxt communion of men and spirits in paradise, as de

scribed by Milton, No. 12 Mode, on what it ought to be built, No. 6 Moliere made an old woman a judge of his plays, No. 70 Modesty the chief ornament of the fair sex, No. 6 Monuments in Westminster-Abbey examined by the

Spectator, No. 26 Mourning, the method of it considered, No. 64. Who

the greatest mourners, ibid. Music banished by Plato out of his commonwealth, No.

18. Of a relative nature, 29


NEIGHBOURHOOD, of whom consisting, No. 49
Newberry (Mr.) his rebus, No.

59 New-River, a projcet of bringing it into the playhouse, 5 Nicolini (Signior) bis voyage on pasteboard, No. 5.

His combat with a lion, 13. Why thought to be a tham one, ibid. An excellent actor, ibid.


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