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Gift of Mr. W. R. Westett, Manchester, N.H.

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PREFACE.

Tong work originated in a desire, on the part of the Publishers, to supply what they considered a deficiency in the Literature addressed at the present time to the great body of the People. In the late efforts for the improvement of the popular mind, the removal of mere ignorance has been the chief object held in view: attention has been mainly given to what might be expected to impart technical knowledge; and in the cultivation of what is certainly but a branch of the intellectual powers, it has been thought that the great end was gained. It is not necessary here to present arguments establishing that there are faculties for cognising the beautiful in art, thought, and feeling, as well as for perceiving and enjoying the truths of physical science and of fact. Nor is it needful to show how elegant and reflective literature, especially, tends to moralise, to soften, and to adorn the soul and life of man. Assuming this as granted, we were anxious to take the aid of the press—or rather of the Printing Machine, for by it alone could the object be accomplished—to bring the belles lettres into the list of those agencies which are now operating for the mental advancement of the middle and humbler portions of society.

It appeared that, for a first effort, nothing could be more suitable than a systematised series of extracts from our national authors ; "a concentration"—to quote the language of the prospectus—" of the best productions of English intellect, from Anglo-Saxon to the present times, in the various departments headed by Chaucer, Shakspeare, Milton—by More, Bacon, Locke-by Hooker, Taylor, Barrowby Addison, Johnson, Goldsmith—by Hume, Robertson, Gibbon-set in a biographical and critical history of the literature itself.” By this a double end might, it seemed, be served; as the idea of the work in. cluded the embodiment of a distinct and valuable portion of knowledge, as well as that mass of polite literature which was looked to for the effect above described. In the knowledge of what has been done by English literary genius in all ages, it cannot be doubted that we have a branch of the national history, not only in itself important, as well as interesting, but which reflects a light upon other departments of history-for is not the Elizabethan Drama, for example, an exponent, to some extent, of the state of the national mind at the time, and is it not equally one of the influences which may be presumed to have modified that mind in the age which followed? Nor is it to be overlooked, how important an end is to be attained by training the entire people to venerate the thoughtful and eloquent of past and present times. These gifted beings may be said to have endeared our language and institutions our national character, and the very scenery and artificial objects which mark our soil—to all who are acquainted with, and can appreciate their writings. A regard for our national authors enters into and forms part of the most sacred feelings of every educated man, and it would not be easy to estimate in what degree it is to this sentiment that we are indebted for all of good and great that centres in the name of Eng. land. Assuredly, in our common reverence for a Shakspeare, a Milton, a Scott, we have a social and uniting sentiment, which not only contains in itself part of our happiness as a people, but much that counteracts influences that tend to set us in division.

A more special utility is contemplated for this work, in its serving to introduce the young to the Pantheon of English authors. The “ Elegant Extracts” of Dr Knox, after long enjoying popularity as a selection of polite literature for youths between school and college, has of late years sunk out of notice, in consequence of a change in public taste. It was almost exclusively devoted to the rhetorical literature, elegant but artificial, which flourished during the earlier half of the eighteenth century, overlooking even the great names of Chaucer and Spenser, as well as nearly the whole range of rich, though not faultless productions extending between the times of Shakspeare and Dryden. The time seemed to have come for a substitute work, in which at once the revived taste for our early literature should be gratified, and due attention be given to the authors who have lived since the time of Knox. Such a work it has been the humble aim of the editor to produce in that which is now laid before the public.

He takes this opportunity of acknowledging that very important assistance has been rendered throughout the Cyclopædia of English Literature, and particularly in the poetical department, by Mr Robert Carruthers of Inverness.

LIST OF ILLUSTRATIONS.

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Page

Page Illumination-Monk writing,

1 | Autograph of Sir Philip Sidney, 232 View of St Lawrence Church, 434 Chair of Bede, 3 Portrait of Richard Ilooker, 235 Portrait of Dr Robert South,

441 Ilumination-a Minstrel, 8 Portrait of Lord Bacon,

239 View of Islip Church, Portrait of Chaucer, 12 Autograph of Bacon,

239 Portrait of Richard Baxter, Chaucer's Tomb, 14 Monument of Bacon, 241 View of Ury House,

461 Tabard Inn, Southwark, 14 Portrait of Sir Walter Raleigh, 244 Portrait of John Bunyan,

466 Portrait of Gower, 24 Autograph of Raleigh,

244 View of the Birthplace of Bunyan, 467 Cathedral of Aberdeen, 25 View of llayes Farm, the Birthplace Portrait of Lord Clarendon,

475 View of Lochleven, 28 of Raleigh,

244 View of Dunkirk House, the London Portrait of Wickliffe,

35 Stow's Monument in the church of residence of Lord Clarendon, 476 Chair of Wickliffe, 35 St Andrew under Shaft, London, 249 Portrait of Gilbert Burnet,

486 Ilumination-Early Printing-Office, 36 Portrait of James Ilowell,

255 Portrait of Sir William Temple, 501 Portrait of James L. of Scotland, 36 Autograph of Ilowell,

256 Portrait of John Locke,

678 View of Dunkeld Cathedral, Portrait of William Camden, 262 Autograph of Locke,

V8 Portrait of Iloward, Earl of Surrey, 46 | Autograph of Camden,

262 View of the Birthplace of Locke, 309 49 Portrait of Sir David Lyndsay,

Portrait of Thomas May,
264 Seal of Locke,

310 Portrait of William Caxton,

Portrait of Thomas Ilobbes,

206 Portrait of the Ilonourable Robert Portrait of Sir Thomas More, 59 Portrait of Robert Burton, 272 Boyle,

516 Autograph of Sir Thomas More, 59 Tomb of Burton,

274 | Portrait of Sir Isaac Newton,

521 Bust of John Leland, 69 Portrait of John Selden,

292 View of the Birthplace of Newton, 521 Portrait of William Tyndale, 73 Autograph of Selden,

282 Portrait of Thomas Rymer,

527 Portrait of Sir John Cheke,

74 View of the llouse of Selden, 283 Portrait of Sir George Mackenzie, 530 Autograph of Roger Ascham, 76 Portrait of Archbishop Usher, 285 Monument of Sir George Mackenzie, Illumination-Spenser introduced Portrait of William Chillingworth, 285 Greyfriars Churchyard, Edinburgh, 530 by Sydney to Elizabeth, 79 l'ortrait of Jeremy Taylor,

200 Illumination-Rape of the Lock, 534 Portrait of Thomas Sackville, 80 | Portrait of Sir Thomas Browne, 208 | Portrait of Matthew Prior,

535 Portrait of Edmund Spenser, 86 Portrait of John Knox,

303 Autograph of Prior,

535 View of Kilcolman Castle, 87 View of the Birthplace of Knox, 303 Portrait of Joseph Addison,

540 Portrait of Michael Drayton, 99 Portrait of Archbishop Spottiswood, 306 Autograph of Addison,

510 Portrait of Sir llenry Wotton, 104 Mumination-Milton Dictating to View of Addison's Walk, Magdalen Monumental Effigy of Dr Donne, 110 his Daughter,

312 College, Oxford,

541 View of Penshurst,

114
Portrait of Abraham Cowley, - 312 View of Holland House,

542 View of Norwich Cathedral, 116 Autograph of Cowley,

312 | Portrait of Jonathan Swift,

545 Portrait of Francis Beaumont, 119 View of the Ilouse of Cowley, - 313 Autograph of Swift,

545 Portrait of George Ilerbert,

131 View of the Poets' Corner, West View of the Tomb of Swift in DubBust of Robert llerrick, 139 minster Abbey,

lin Cathedral,

347 Autograph of Robert Ilerrick, 139 Portrait of Edmund Waller,

325 Portrait of Alexander Pope,

554 View of the Birthplace of Randolph, 145 View of Waller's Tomb,

326 | Autograph of Pope,

554 Portrait of Sir William Davenant, 146 Portrait of John Milton,

328 | View of Pope's Villa, Twickenham, 555 View of Lethington Castle, 155 View of Ludlow Castle, 329 Portrait of John Gay,

570 View of Logic Kirk, 156 View of Milton's Cottage at Chal Autograph of Gay,

570 View of Falkland Palace, 157 font, 330 Portrait of Thomas Parnell,

576 View of the House of the Earl of Fac-simile of Milton's Second Re Autograph of Somerville,

580 Stirling, . 158 ceipt to Simmons,

330 Urn erected by Shenstone to SomerPortrait of Drummond of HawView of the Remains of Milton's

ville, •

391 thornden, 158 Ilouse at Forest III,

335 Portrait of Allan Ramsay, View of llawthornden, the seat of Portrait of Andrew Marvell, 343 Autograph of Ramsay, Drummond, 159 Portrait of Samuel Butler, 315 View of Ramsay Lodge,

583 Portrait of Buchanan, · 161 View of Rose Street, London, in Portrait of Nicholas Rowe,

5.90 Autograph of Buchanan, 161 which Butler died,

346 Autograph and Seal of Vanbrugh, 597 View of Gray's Inn llall, 164 Portrait of John Dryden,

Illumination-Steele Writing the View of Globe Theatre, 165 Autograph of John Dryden,

Tatler in a Coffee Room,

602 Bust of Shakspeare, 176 View of Burleigh Ilouse,

361 Portrait of Sir Richard Steele, Autograph of Shakspeare, 176 Portrait of Thomas Otway,

386 View of Steele's House at LlanView of the Birthplace of Shak. Illumination-Preacher of the Se

gunnor,

606 speare, 177 venteenth Century, 396 Portrait of Daniel Defoe,

617 View of Charlecote House, 178 Portrait of Algernon Sidney,

405 View of Stanton Harcourt, Oxford. Goblet from the Boar's - Head Portrait of Lady Rachel Russell, 407 shire,

638 Tavern, 190 Portrait of Thomas Fuller,

411 Autograph of Lord Bolingbroke, 646 Portrait of Ben Jonson,

191 View of Old St Bride's Church, 412 Bolingbruke's Monument in BatterAutograph of Ben Jonson, 191 Portrait of Izaak Walton,

415
sea Church,

647 View of Falcon Tavern, 193 View of Walton's llouse,

415 Portrait of Lady Mary Wortley Portrait of Fletcher, 203 Portrait of John Evelyn,

419

Montagu, Portrait of Philip Massinger,

View of the llouse of Evelyn, 420) Portrait of the Earl of Shaftesbury, 655 Illumination-Raleigh writing in Portrait of Sir Roger L'Estrange, 423 View of Bentley's Seat, in Trinity Prison, 232 Portrait of Dr Isaac Barrow, 428 College Chapel,

680 Portrait of Sir Philip Sidney, 232 | Portrait of Archbishop Tillotson, 434 Portrait of Charles Leslie,

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CONTENTS OF FIRST VOLUME.

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First Períod.

Second Period.

FROM THE EARLIEST TIMES TO 1400.

FROM 1400 TO 1558.

Page

POETS.

ANGLO-SAXON WRITERS,

1

INTRODUCTION OF NORMAN FRENCH,

Page

TH NORMAN PORTS OF ENGLAND,

4 KING JAMES I. or SCOTLAND,

36

CONMENCEMENT OF THE PRESENT FORM OF ENGLISH, 4 James I., a Prisoner in Windsor, first sees Lady Jane

SrECINENS OF ANGLO-SAXON AND ENGLISH PREVIOUS

Beaufort, who afterwards was his Queen,

37

TO 1310,

JOHN LYDAATE,

37

Estract from the Saxon Chronicle, 1154,

Description of a Sylvan Retreat,

Extract from the account of the Proceedings at Arthur's The London Lyckpenny,

38

Coronation, given by Layamon, in his translation of Robert HENRYSON,

Wace, executed about 1180,

Dinner given by the Town Mouse to the Country Mouse, 33

Extract from a Charter of llenry III., A. D. 1258, in the From the Moral,

39

common language of the time,

The Garment of Good Ladies,

39

THE RHYMING CHRONICLERS,

WILLIAM DUN BAR,

40

The Muster for the First Crusade,

6 The Merle and Nightingale,

The Siege of Antioch,

The Dance,

42

The Interview of Vortigern with Rowen, the beautiful Tidings fra the Session,

43

Daughter of llengist,

8 Of Discretion in Giving and Taking,

Fabulous account of the first Ilighways in England,

Gavin DOUGLAS,

Praise of Good Women,

A postrophe to Honour,

44

ENGLISH METRICAL ROMANCES,

Morning in May,

44

Extract from the King of Tars,

9 JouN SKELTON,

45

Extract from the Squire of Low Degree,

10 To Mistress Margaret Ilussey,

45

IMMEDIATE PREDECESSORS OF CHAUCER,

EARL OF SURREY,

46

What is in Ileaven,

11

Prisoner in Windsor, he recounteth his Pleasure there

ROBERT LANGLAND,

11

passed,

46

Extracts from Pierce Plowman,

Description and Praise of his Love Geraldine,

47

GBOFFREY CHAUCER,

llow no age is content with his own estate, and how the

Select Characters from the Canterbury Pilgrimage, 15 age of children is the happiest, if they had skill to un-

Description of a Poor Country Widow,

18 derstand it,

47

The Death of Arcite,

18 The Means to attain Ilappy Life,

Departure of Custance,

19 SIR THOMAS WYATT,

The Pardoner's Tale,

19 The Lover's lute cannot be blamed, though it sing of his

The Good Parson,

Lady's unkindness,

An Ironical Ballad on the Duplicity of Women,

22 The re-cured Lover exulteth in his Freedom, and voweth

Last Verses of Chaucer, written on his Deathbed, 23 to remain free until Death,

John GOWER,

23 That Pleasure is mixed with every Pain,

48

Episode of Rosiphele,

24 The Courtier's Life,

The Envious Man and the Miser,

25 Of the Mean and Sure Estate,

48

John BARBOUR, .

25 THOMAS TUSSER,

48

Apostrophe to Freedom,

26 Directions for Cultivating a IIop-Garden,

48

Death of Sir Ilenry De Bohun,

26

Ilousewifely Physic,

49

The Battle of Bannockburn,

26 Moral Reflections on the Wind,

49

ANDREW WYNTOUX,

28 SIR DAVID LYNDSAY,

49

St Serf's Ram,

28 A Carman's Account of a Law-suit,

50

Interview of St Serf with Sathanas,

28 Supplication in Contemption of Side Tails,

50

The Return of King David II. from Captivity,

28 The Building of the Tower of Babel, and Confusion of

BLIND SIARRY, .

29 Tongnies,

50

Adventure of Wallace while fishing in Irvine Water, 29 MISCELLANEOUS Pieces OF THE SECOND PERIOD,

51

Escape of Wallace from Perth,

31) A Praise of his (the Poet'si Lady,

51

The Death of Wallacc,

Amantium Iræ Amoris Redintegratio est. By Richard

Edwards. 1523-1566,

51

PROSE WRITERS OF THE FOURTEENTH CENTURY.

Characteristic of an Englishman. By Andrew Bourd 51

Sir John MANDEVILLE,

32 The Nut-Brown Maid,

A Mobamedan's Lecture on Christian Viccs,

32

The Devil's Ilead in the Valley Perilous,

PROSE WRITERS.

GEOFFREY CHAUCER,

34 Sir John FORTESCUE,

54

On Riches,

34 English Courage,

John WICKLIFFE,

What harm would come to England if the Commons

The Magnificat,

36 thereof were Poor,

54

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Page

Page

William CAXTON,

54 CHRISTOPHER MARLOW_JOSHUA SYLVESTER-RICHARD

Legend of St Francis,

55

BARNFIELD,

84

The Deposition of King Vortigern,

55 The Passionate Shepherd to his Love,

84

Jack Cade's Insurrection,

56 The Nymph's Reply to the Passionate Shepherd-Raleigh, 84

Scene in the Council-Room of the Protector Gloucester, 58 The Soul's Errand,

85

BIR THOMAS MORE,

58 Address to the Nightingale,

85

Letter to Lady More,

EDMUND SPENSER,

89

Character of Richard III.,

60 Una and the Redcross Knight,

89

The Utopian Idea of Pleasure,

Adventure of Una with the Lion,

89

John FISCHER,

The Bower of Bliss,

90

Character and Iabits of the Countess of Richmond,

The Squire and the Dove,

91

Sir Thomas ELYOT,

64 Wedding of the Medway and the hamss,

92

Different kinds of Exercise,

64 The House of Sleep,

93

HUGH LATIMER,

64 Description of Belphæbe,

93

A Yeoman of Henry VII's time,

65 Fable of the Oak and the Briar,

94

Ilasty Judgment,

From the Epithalamion,

98

Cause and Effect,

65 ROBERT SOUTHWELL,

96

The Shepherds of Bethlehem,

66 The Image of Death,

96

John Fox,

Times go by Turns,

96

The Invention of Printing,

67 Love's Servile Lot,

96

The Death of Queen Anne Boleyn,

69 Scorn not the Least,

97

A notable Ilistory of William Hunter, a young man of SAMUEL DANIEL,

97

19 years of age, pursued to death by Justice Brown for From the Epistle to the Countess of Cumberland, 97

the Gospel's sake, worthy of all young men and parents Richard II, the Morning before his Murder in Pomfret

to be read,

Castle,

98

JOHN LKLAND

Early Love,

98

GEOROK CAVENDISH,

70 Selections from Daniel's Sonnets,

King llenry's Visits to Wolsey's House,

70 MICHAEL DRAYTON,

98

LORD BERNERS,

71 Morning in Warwickshire Description of a Stag-Hunt, 99

Battle of Cressy,

71 Part of the Twenty-Eighth Song of the Polyolbion, 100

John BRLLENDEN,

71 David and Goliah,

102

L'art of the Story of Macbeth,

71 EDWARD FAIRFAX,

103

The New Mancris and the Auld, of Scottis,

72

Description of Armida and her Enchanted Girdle, 103

Extract from the Complaynt of Scotland,

72 Rinaldo at Mount Olivet and the Enchanted Wood, 103

Bishop BALE,

73 Sir John HARRINGTON,

104

Death of Lord Cobham,

73 Of Treason,

104

WILLIAM TYNDALE,

73 Of Fortune,

104

MILES COVERDALE,

74

Against Writers that carp at other Men's Books, 104

Passage from Tyndale's Version of the Bible,

74 of a Precise Tailor,

104

Passage from Coverdale's Version,

74 Sur II ENRY WOTTON,

104

SIR JOHN CHEKE,

74 To his Mistress, the Queen of Bohemia,

104

Remonstrance with Levellers,

75 A Farewell to the Vanities of the World,

105

Thomas Wilson,

75 The Character of a llappy Life,

105

Simplicity of Style Recommended,

75 SHAKSTEARE,

105

Moral Aim of Poetry,

75 The Ilorse of Adonis,

106

ROGER ASCHAM,

76 Venus's Prophecy after the Death of Adonis,

106

Study should be relieved by Amusement,

76 Selections from Shakspeare's Sonnets,

196

The Blowing of the Wind,

77 Selections from Shakspeare's Songs,

107

Occupations should be chosen suitable to the Natural SIR JOHN DAVIES,

108

Faculties,

77 The Dancing of the Air,

108

Detached Observations from the Schoolmaster,

78 Reasons for the Soul's Immortality,

109

Qualifications of a llistorian,

79 The Dignity of Man,

103

John DONNE,

103

Address to Bishop Valentine, on the Day of the Marriage

Third Períod.

of the Elector Palatine to the Princess Elizabeth, 110

Valediction-Forbidding Mourning,

110

The Will,

THE REIGNS OF ELIZABETH, JAMES I., AND

111

A Character from Donne's Satires,

111

CHARLES I.

(1558 TO 1619.]

Joseph Hall,

112

Selections from Hall's Satires,

112

POETS.

BEN JONSON,

112

THOMAS SACKVILLE,

80 To Celia,

113

Allegorical Characters from the Mirrour for Magistrates, 80 The Sweet Neglect,

113

Ilenry Duke of Buckingham in the Infernal Regions, 82 Hymn to Diana,

113

JOHN ITARRINGTON,

82 To Night,

113

Sonnet made on Isabella Markham,

82 Song--Oh do not wanton with those eyes),

113

Sir l’HILIP SIDNEY,

82 To Celia,

113

Sonnets of Sir Philip Sidney,

82 Her Triumph,

113

SIR WALTER RALEIGH-TIMOTHY KENDAL-NICHOLAS Good Life, Long Life,

BRETON-HENRY CONSTABLE,

83 Epitaph on the Countess of Pembroke,

114

The Country's Recreations--Raleigh,

Epitaph on Elizabeth, L. H.,

114

Farewell to Town-Breton,

83 On my First Daughter,

114

Sonnet-Constable,

84 To Penshurst,

114

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