He saw once more his dark-eyed queen Among her children stand;

They clasped his neck, they kissed his cheeks,

They held him by the hand!-
A tear burst from the sleeper's lids
And fell into the sand.

And then at furious speed he rode
Along the Niger's bank;

His bridle-reins were golden chains,
And, with a martial clank,

At each leap he could feel his scabbard of steel

Smiting his stallion's flank.

Before him, like a blood-red flag,
The bright flamingoes flew;
From morn till night he followed their
flight,

O'er plains where the tamarind grew, Till he saw the roofs of Caffre huts, And the ocean rose to view.

At night he heard the lion roar,
And the hyena scream,

And the river-horse, as he crushed the reeds

Beside some hidden stream; And it passed, like a glorious roll of drums,

Through the triumph of his dream.

The forests, with their myriad tongues,
Shouted of liberty;

And the Blast of the Desert cried aloud,
With a voice so wild and free,
That he started in his sleep and smiled
At their tempestuous glee.

He did not feel the driver's whip,
Nor the burning heat of day;
For Death had illumined the Land of
Sleep,

And his lifeless body lay worn-out fetter, that the soul Had broken and thrown away!

THE GOOD PART,

THAT SHALL NOT BE TAKEN AWAY.

SHE dwells by Great Kenhawa's side,
In valleys green and cool;
And all her hope and all her pride
Are in the village school.

Her soul, like the transparent air

That robes the hills above, Though not of earth, encircles there All things with arms of love. And thus she walks among her girls With praise and mild rebukes; Subduing e'en rude village churls By her angelic looks.

She reads to them at eventide

Of One who came to save ;

To cast the captive's chains aside
And liberate the slave.

And oft the blessed time foretells
When all men shall be free;
And musical, as silver bells,

Their falling chains shall be.

And following her beloved Lord,
In decent poverty,

She makes her life one sweet record
And deed of charity.

He saw the fire of the midnight camp, And heard at times a horse's tramp And a bloodhound's distant bay. Where will-o'-the-wisps and glowworms shine,

In bulrush and in brake;

Where waving mosses shroud the pin And the cedar grows, and the poiso ous vine

Is spotted like the snake;

Where hardly a human foot could pass, Or a human heart would dare, On the quaking turf of the green morass He crouched in the rank and tangled grass,

Like a wild beast in his lair.

A poor old slave, infirm and lame;
Great scars deformed his face;

On his forehead he bore the brand of shame,

And the rags, that hid his mangled frame,

Were the livery of disgrace.

All things above were bright and fair,
All things were glad and free;
Lithe squirrels darted here and there,
And wild-birds filled the echoing air
With songs of Liberty!

On him alone was the doom of pain,
From the morning of his birth;
On him alone the curse of Cain
Fell, like a flail on the garnered grain,
And struck him to the earth!

THE SLAVE SINGING AT

MIDNIGHT.

LOUD he sang the psalm of David !
He, a Negro and enslaved,
Sang of Israel's victory,
Sang of Zion, bright and free.

In that hour, when night is calmest,
Sang he from the Hebrew Psalmist,
In a voice so sweet and clear
That I could not choose but hear,

Songs of triumph, and ascriptions,
Such as reached the swart Egyptians,
When upon the Red Sea coast
Perished Pharaoh and his host.

And the voice of his devotion
Filled my soul with strange emotion;
For its tones by turns were glad,
Sweetly solemn, wildly sad.

Paul and Silas, in their prison,
Sang of Christ, the Lord arisen,
And an earthquake's arm of might
Broke their dungeon-gates at night.
But, alas! what holy angel

Brings the Slave this glad evangel? And what earthquake's arm of might Breaks his dungeon-gates at night?

THE WITNESSES.

IN Ocean's wide domains,
Half buried in the sands,
Lie skeletons in chains,

With shackled feet and hands.

Beyond the fall of dews,

Deeper than plummet lies,
Float ships, with all their crews,
No more to sink nor rise.
There the black Slave-ship swims,
Freighted with human forms,
Whose fettered, fleshless limbs

Are not the sport of storms.
These are the bones of Slaves;
They gleam from the abyss;
They cry, from yawning waves,
"We are the Witnesses!"
Within Earth's wide domains

Are markets for men's lives; Their necks are galled with chains, Their wrists are cramped with gyves.

Dead bodies, that the kite

In deserts makes its prey; Murders, that with affright

Scare school-boys from their play! All evil thoughts and deeds; Anger, and lust, and pride; The foulest, rankest weeds, That choke Life's groaning tide! These are the woes of Slaves;

They glare from the abyss; They cry, from unknown graves, "We are the Witnesses!

THE QUADROON GIRL.
THE Slaver in the broad lagoon
Lay moored with idle sail;
He waited for the rising moon,
And for the evening gale.
Under the shore his boat was tied,
And all her listless crew
Watched the gray alligator slide
Into the still bayou.

Odors of orange-flowers, and spice,
Reached them from time to time,
Like airs that breathe from Paradise
Upon a world of crime.

The Planter, under his roof of thatch,
Smoked thoughtfully and slow;
The Slaver's thumb was on the latch,
He seemed in haste to go.

He said, "My ship at anchor rides
In yonder broad lagoon;

I only wait the evening tides,
And the rising of the moon.'

Before them, with her face upraised,
In timid attitude,

Like one half curious, half amazed,
A Quadroon maiden stood.
Her eyes were large, and full of light,
Her arms and neck were bare;
No garment she wore save a kirtle bright,
And her own long, raven hair.
And on her lips there played a smile
As holy, meek, and faint,
As lights in some cathedral aisle
The features of a saint.

"The soil is barren, the farm is old"
The thoughtful Planter said;
Then looked upon the Slaver's gold,
And then upon the maid.

His heart within him was at strife
With such accursed gains: [life,
For he knew whose passions gave hei
Whose blood ran in her veins.
But the voice of nature was too weak:
He took the glittering gold!
Then pale as death grew the maiden's
cheek,

Her hands as icy cold.

The Slaver led her from the door,
He led her by the hand,

To be his slave and paramour
In a strange and distant land !

There was the Countess of Medina Celi;
The Goblin Lady with her Phantom
Lover,

Her Lindo Don Diego; Doña Sol,
And Doña Serafina, and her cousins.
Don C. What was the play?
Lara.
It was a dull affair;
One of those comedies in which you
see,

As Lope says, the history of the world Brought down from Genesis to the Day of Judgment.

There were three duels fought in the first act,

Three gentlemen receiving deadly wounds,

Laying their hands upon their hearts, and saying,

"O, I am dead!" a lover in a closet, An old hidalgo, and a gay Don Juan, A Doña Inez with a black mantilla, Followed at twilight by an unknown lover,

Who looks intently where he knows she is not !

Don C. Of course, the Preciosa danced to-night? Lara. And never better. footstep fell

Every

As lightly as a sunbeam on the water.
I think the girl extremely beautiful.
Don C. Almost beyond the privilege
of woman!

I saw her in the Prado yesterday.
Her step was royal, -queen-like,
and her face

As beautiful as a saint's in Paradise. Lara. May not a saint fall from her Paradise,

And be no more a saint?

Don C.

Why do you ask? Lara. Because I have heard it said this angel fell,

And, though she is a virgin outwardly, Within she is a sinner; like those

panels

Of doors and altar-pieces the old monks Painted in convents, with the Virgin Mary

On the outside, and on the inside Venus!

Don C. You do her wrong; indeed, you do her wrong! She is as virtuous as she is fair.