Marlowe, Shakespeare, and the Economy of Theatrical Experience

封面
University of Pennsylvania Press, 1991年11月29日 - 241 頁

This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe.

 

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內容

Part One The Economy of Theatrical Experience
9
The Audience in Theory and Practice
38
Part Two The Webs of Plays
67
Banquos Ghost
94
Part Three A Poetics of Demystification
121
Radical Shakespeare
136
Part Four Corrupt Texts
161
The Unaccommodating Text
181
The Imaginary Audience
199
Works Cited
225
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