To thrash, beat. 2. 285. Sworne, a. Phr., be sworn; bound

2. To count; reckon one after another. 'Arch. exc. in phrases such as 64 to tell beads."' Mallory. 3. 12.

Temper, n. 1. Mixture or combination of ingredients. 2. 337. +2. Temperament. 3. 71. Tender, v. 1. To treat with solicitude and care. 3. 169. Tender, a. Fine; hence, gravelly. 4. 462.

Terror, n. A cause of terror; often used in humorous exaggeration. 5. III.

Then, conj. Obs. form of than. Ind. 116, et passim. †Then so, phr. Than something indicated or signified; than that.

5. 392. Thether, adv. Obs. form of thither. 4. 396.

go for him.' 3. 371. Tooke, v. Obs.

take. 3. 58. Train, v.

or vulgar pp. of

To entice; draw by deceptive means. Arch. 3. 412. Trauell, n. 1. Labor.

2. Labor in childbirth.
2. 487.

I. 43.

Arch.

Tree, n. +Stick, staff. I. 2II. Tricke, n. A crafty or fraudulent device; a stratagem. I. 70; 4. 36.

Tride, v. Obs. form of tried. 3.

Uncivill, a. †Of apparel: lacking in taste; gaudy; immodest. Prol. +Vncurteous, a. Discourteous,

uncivil. 2. 121, 332. Vnderstanding, ppl. a. Informed; intelligent. Ind. 27.

Vndo, v. To bring ruin or distress

upon. 4. 193; 5. 44. Vnfurnished, ppl. a. Unprovided. I. 290. Vnhappy, a. 1. Full of tricks; mischievous; tricksy. 2. 288.

2. Associated with ill fortune. 486. Vnkind, a.

3.

Lacking in affection. 4. 288.

Rare. exc. dial.

Vnknowing, ppl. a. Ignorant. 3. 355.

Vnpeopled, ppl. a. Without inhab

Wag, n. A practical joker; one who indulges in buffoonery or mischief. 2. 19; 5. 288. Wait, n. †One of a body of musicians, who played about the streets at night, especially in the seventeenth century, in England. Ind. 119.

Wanion, ". A word found only in the phrases with a wanion, and wanions on you; generally interpreted to denote some kind of imprecation. Phr., with a wanion with a vengeance; energetically; hence in short order.

174.

2.

Want, v. To fail in. 5. 185. Ward, n. A regiment or other division of an army. 5.91. Warren, n. A piece of ground appropriated to the breeding and preservation of rabbits and other game. I. 134.

+Wast(e)-thrift, n. A spendthrift. I. 350. Watch, n. 1. The annual vigil of St. John's. 1. 155. Cf. note. 2. A watchman, or body of watchmen, stationed in old London, to

iarity. 1. 116; 2. 574; 3. 323: whoresome, 1. 322; whoor sonne

I. 371.

3. 23.

Keeping vigil.

Wight, ".

Wee, prep. Obs. form of wi' = with. Cf. variants. 2. 538. Welfauourdlie, adv. In a gratifying or pleasing way; 'handsomely.' 2. 285.

Well, a. Well off. 4. 436.

Given to using

Well spoken, ɑ. decorous speech. Dial. I. 267. Wench, n. A young woman. Arch. or lit. The word as current now has a deprecatory sense. 1. 303, et passim.

Were, v. Obs. form of wear. 3. 19.

When al's done, phr. After all.

Dial. 5. 249.

Whether, adv. An obs. form of whither. 1. 315; 3. 390. Whether, pron. Arch. Which. 1. 138.

Whilome, adv. Arch. Once. 1.137. Whipt. ppl. a. Overlaid; wound round and round, as with thread. 1. 163. Whistle, n. Phr., to wet (one's)

whistle to take a drink of liquor with reference to wetting the throat and vocal organs in order to improve the tone of the voice. Colloq. and jocose. 5. 192. White boy, n. An old term of endearment applied to a favorite son, or the like; a darling. 85. †Whoreson, a. Bastard-like; low: used in contempt or coarse famil

2.

Mortal; a human being. Obs. or arch. 3. 355, 476. Willing, a. +Harmonious; likeminded. 4. 478.

Wise, ". Manner; mode; guise. Obs. or arch. exc. in phrases like in any wise, &c. 3. 411; 5. 324. Withall, adv. Besides; likewise. Ded.; I. 77, 118; 4. 238.

Withall, prep. An emphatic form of with, used after the object (usually a relative) at the end of a sentence or clause. 4. 12. Woeman, n. Obs. form of woman. 2. 486, et passim.

+Won, v. To dwell. 3. 256. Wood, v. Obs. form of preterite of will. 2. 586.

Wrastle, v. Obs. or dial. form of
wrestle. 3. 296.
Wrought, ppl. a.
Arch. ? 2. 422.

Embroidered.

A

Adam Bell, lxix, lxxiv, lxxvi.
Amadis of Gaul, relations to the
burlesque in K. of B. P., xxxvii,
xlixff., lvi, lxviii, lxix, lxxii, lxxiii;
origin of, 162; cited, 145, 163,
166, 171, 172, 191, 204, 206.
Apparel, actors', 122; soldiers', 251.
Apron, blue, of tradesmen, 146.
Archery, practice of, 267.
Arches, court of, 220.
Arthur's show, cx, 225, 253.
Artillery Gardens, practice of arms
revived in, xiii, cxii, 225.
As ye came from the Holy Land,
a ballad, 181.

Authorship of the play, xxi ff.

B

Baloo, a ballad, 184.

Barbaroso, 195.

Barber's basin, xlv, 195, 196.
Barber's pole, 195, 204.

Barber shop, description of the old-
time, 214.

Bear, pestilential effect of the breath
of the, 273.
Beaten gold, 224.

Beaumont and Fletcher, their indebt-

edness to Spanish literature, xxxiii;
their literary qualities, xxii ff.; for
citations, cf. individual works,
Coxcomb, &c.

Beer at the theatre, 218.
Beeston's Boys, xviii.

Begone, begone, my juggy, my puggy,

a song, 216.

Bell Inn, xl ff., 174.

Bells in the Morris-dance, 244.
Bevis of Hampton, lxix, lxx, lxxvi,
lxxx, 188.

Blackfriars Theatre, xiv, 122.

Candles, blue, at funerals, 233.
Captain, City, 266.

Captain, duties of a, 256, 259, 261.
Carduus Benedictus as a medicinal
remedy, cx, 202.

Casket, adventures of the, xxxix,
171.

Catch, nature of a, 180.

Caves as habitations of giants, xlix ff.,
195.

Chamberlain at an inn, 175-
Chapman, George, his satire on the
fashion of romance-reading in East-
ward Ho, xciii.

Children of the Queen's Revels, xiv,

IIO, 122.

Chivalric plays, lists of, lxxviii, lxxxi ;

quality and popularity of, lxxviii ff.;

protests of Puritans and social
satirists against, lxxxvii ff.; attacks
of the dramatists upon, lxxxix ff.
Citizens, their interruptions of plays,
cviff., 110; libelous stage repre-
sentations of, civ, 112.
City walls, 109.

Civic drama, nature and representative
specimens of, xcv ff.
Cloak-bag, 234.

Cockpit Theatre, xvi, 271.

Colors of the infantry, 254; regu-
lations concerning the use of, 255.
Commons of the City, 117.
Companies of London, the Twelve,
114, 166.

Company, consistency of a military,
253.

Compliment, language of, 231.
Conduit, 236.
Conjurers, 233.
Corselet, 257.

Coxcomb, cited, 161, 178.

Cracovia, King of, 233.

Crane, sign of the, 106.

of Kn. of B. P., xv; the attri-
bution of, as a source of Kn. of
B. P., xxxii ff.; cited, 105, 107,
144, 148, 149, 150, 151, 162,
171, 189, 190, 191, 194, 195,
203, 204, 207.

Douglas Tragedy, a ballad, 182,
Dragon-water, 147.

Drake, the life and death of fat, 117.
Drummer, 253.

Drums, 246, 249.

Dryden, John, his comment on the
popularity of Beaumont and Flet-
cher, xix.

Dulcinea del Toboso, the attributed
prototype of Susan. liv ff., 203.
Dutchman, the great, 198.
Dwarf as an attendant upon knights,
xxxvii, 148; as bearer of the
knights' armor, 192.

E

Elenor, Queen, the story of, xcix, 116,
Entertainment at inns, 177.

Crier, town, 173.

Cupid's Revenge, cited, 201.

Curtain, lack of, on old stage, 184f.
Curtain Theatre, xi.

Cypress branches at funerals, 232.

D

Dagonet, Sir, 224, 253.
Dam, the devil's, 169.

Day, Rowley, and Wilkins, Travailes
of the Three English Brothers,
its bearing on the date of Kn. of
B. P., xi; its relationship to
the burlesque in Kn. of B. P.,
xcix f.
221

Deed indent, 227.

Fading, 219.

F

Fair Margaret and Sweet William,
a ballad, 178.

Faithful Friends, its satire on the
fashion of romance-reading, xciv.
Faithful Shepherdess, its unpopu-
larity, cix.
Falconer, 234.

Favor, lady's, 228.
Feathers, 237, 257.
Fencing-school, cx, 172.

Fingers, barber's 'knacking' of, 197.
Fire-eaters, 220.