Byron's Historical DramasClarendon Press, 1992 - 259 頁 Byron's poetic reputation is currently founded on his comic epic Don Juan and its cognates Beppo and The Vision of Judgement. Works outside this group are still regarded with some uncertainty. This study demonstrates that some of Byron's most deeply held critical and political convictions--but also certain aspects of his experience over which he had comparatively little conscious control--found expression in his historical dramas of 1820-1821: Marino Faliero, Sardanapalus, and The Two Foscari. In these plays Byron responds with the fullest degree of imaginative intelligence to his work on the management subcommittee at the Theatre Royal, Drury Lane, the background to which is given its most extensive treatment yet; to his involvement with the Italian nationalist movement; to his advocacy of neo-classical dramatic form and above all to his understanding of Shakespeare and of Shakespeare's reputation among Romantic critics. Lansdown illuminates a fascinating but overlooked aspect of Byron's oeuvre in which the literary, the historical, and the political are closely intertwined. |
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第 1 到 3 筆結果,共 28 筆
第 176 頁
... give us precisely the sense Byron was seeking to convey : of a city calm and serene in every outward respect , but simmering with rebellion and suspicion of rebellion . The Venice of Marino Faliero is an embodiment of the doge's ...
... give us precisely the sense Byron was seeking to convey : of a city calm and serene in every outward respect , but simmering with rebellion and suspicion of rebellion . The Venice of Marino Faliero is an embodiment of the doge's ...
第 225 頁
... gives importance to the action and the situation , whereas the action and the situation of the drama strives , quite unsuc- cessfully , to give importance to the feeling ? 55 Most ironically of all , why are the Romantic poets ' plays ...
... gives importance to the action and the situation , whereas the action and the situation of the drama strives , quite unsuc- cessfully , to give importance to the feeling ? 55 Most ironically of all , why are the Romantic poets ' plays ...
第 235 頁
... gives us remains , generally speaking , a stage - managed one . He often intrudes , e.g. , to inform the reader of events the protagonists have no knowledge of , or to give summaries of characters ' lives or of historical eras . Scott's ...
... gives us remains , generally speaking , a stage - managed one . He often intrudes , e.g. , to inform the reader of events the protagonists have no knowledge of , or to give summaries of characters ' lives or of historical eras . Scott's ...
常見字詞
2Fos action appear asks Assyria become Byron called Cenci chapter characters Coleridge compared concerned course critical death described discussed doge drama Drury Lane effect English example fact fantasies feel felt Foscari give given Grave Hamlet hand historical historical plays honour hope human idea imagination important influence interest Israel Italy John kind king later least less letter literature living LJ viii London look Lord Macbeth Marino Faliero means mind nature neo-classical never once particular passage past perhaps play poem poetic poetry poets political present question relation Romantic Sard Sardanapalus says scene seems seen sense Shake Shakespeare Shakespearian Shelley speaking speech stage success suggest theatre things thought tragedy true turn unities Venetian Venice verse wish Wordsworth writing written wrote