“ Look at your nose, you idiot! came the same voice again, louder. Then another voice cried : “ Push your nose out, can't you, you—you two with the dog! Neither George nor I dared to turn around. The man's hand was on the cap, and the picture might be taken any moment. Was it us they were calling to? What was the matter with our noses? Why were they to be pushed out? But now the whole lock started yelling, and a stentorian voice from the back shouted: “ Look at your boat, sir,you in the red and black caps. It's your two corpses that will get taken in that photo, if you ain't quick.' We looked then and saw that the nose of our boat had got fixed under the woodwork of the lock, while the incoming water was rising all around it and tilting it up. In another moment we should be over. Quick as thought, we each seized an oar, and a vigorous blow against the side of the lock with the butt-ends released the boat, and sent us sprawling on our backs. We did not come out well in that photograph, George and I. Of course, as was to be expected, our luck ordained it that the man should set his wretched machine in motion at the precise moment that we were lying on our backs with a wild expression of “ Where am I ? and what is it? on our faces, and our four feet waving madly in the air. Our feet were undoubtedly the leading article in that photograph. Indeed, very little else was to be seen. They filled up the foreground entirely. Behind them, you caught glimpses of the other boats and bits of the surrounding scenery; everything and everybody else in the lock looked so utterly insignificant and paltry compared with our feet that all the other people felt quite ashamed of themselves and refused to subscribe to the picture. The owner of one steam launch, who had bespoke six copies, rescinded the order on seeing the negative. He said he would take them if anybody could show him his launch, but nobody could. It was somewhere behind George's right foot. There was a good deal of unpleasantness over the business. The photographer thought we ought to take a dozen copies each, seeing that the photo was about nine-tenths us; but we declined. We said we had no objection to being photo'd fulllength, but we preferred being taken the right way up. THAT BOY JOHN. FANNIE M. P. DEAS. E F I could only get him! Are you sure you haven't met him? It's nigh upon twelve hours sence he's gone. That boy John! A lesson I will teach him, and a sermon I will preach him, That he'll carry in his mind from this me on. You hardly will believe that he ran off without leave, That knave John! He ran off without leave, with intention to deceive, Will fetch John. I guess this hick'ry stick will fetch him mighty quick- Like my John. Like that John. That's my John. I'd stand his loss, for he's nothin' but a cross, Is my John. He's nothin' but a cross, an' it's only pitch an' toss Looks like John's ! Yes, sir, it is a hat, an' a ragged one at that, Here you, John! He's hidin' somewheres round. Hark! wasn't that a sound Wake up, John! : He's takin' of a nap. What! met with some mishap ? Halloo! John! I'll wager he's all right. Say, what's that gleamin' white No! 'Tain't John. Asleep in this cold place-oh, stranger, touch his face! My boy John ! Cast up like some poor weed, while his father's secret need My dead John! A COMPLAINT. I TUDOR JENKS. To leave us nothing at all to do, In a world all made to order so A modern boy has no earthly show! Columbus sailed across the sea, Which might have been done by you or me, And now they call him great and wise, They praise his genius and enterprise, Although when he found our native land He took it for India's coral strand. There's Newton, too, saw an apple fall Benjamin Franklin—what did he do? I can see steam move a kettle-lid Quite as well as James Watt did, Still what makes me feel the worst P. S.—When it's fine I shall play baseball; |