NATHANIEL LEE. [Died, 1692.] MANY of the Bedlam witticisms of this unfortunate man have been recorded by those who can derive mirth from the most humiliating shape of human calamity. His rant and turgidity as a writer are proverbial; but those who have witnessed justice done to the acting of his Theodosius must have felt that he had some powers in the pathetic. He was the son of a clergyman in Hertfordshire. He was bred at Westminster, under Dr. Busby, and became a scholar on the foundation at Trinity College, Cambridge. From thence he came to London, and attempted the profession of an actor. The part which he performed was Duncan, in Sir William Davenant's alteration of Macbeth. He was completely unsuccessful. "Yet Lee," says Cibber, "was so pathetic a reader of his own scenes, that I have been informed by an actor who was present, that while Lee was reading to Major Mohun, at a rehearsal, Mohun, in the warmth of his admiration, threw down his part, and said, Unless I were able to play it as well as you read it, to what purpose should I undertake it?' And yet," continues the laureate, "this very author, whose elocution raised such admiration in so capital an actor, when he attempted to be an actor himself, soon quitted the stage in an honest despair of ever making any profitable figure there." Failing in this object, he became a writer for the stage, and his first tragedy of " Nero," which came out in 1675, was favourably received. In the nine subsequent years of his life he produced as many plays of his own, and assisted Dryden in two; at the end of which period an hereditary taint of madness, aggravated by habits of dissipation, obliged him to be consigned for four years to the receptacle at Bethlem. He recovered the use of his faculties so far as to compose two pieces, the Princess of Cleves, and the Massacre of Paris; but with all the profits of his invention his circumstances were so reduced that a weekly stipend of ten shillings was his principal support toward the close of his life, and to the last he was not free from occasional derangement. FROM "THEODOSIUS; OR, THE FORCE OF LOVE." The characters in the following scenes are Varanes, a Persian prince, who comes to visit the Emperor Theodosius; Aranthes, his confidant; Leontine, the prince's tutor; and Athenais, daughter of that philosopher, with whom Varanes is in love. Her father, Leontine, jealous for his daughter's honour, brings his royal pupil to an explanation respecting his designs toward Athenais; and Varanes, in a moment of rash pride, at the instigation of Aranthes, spurns at the idea of marrying the philosopher's daughter and sharing with her the throne of Cyrus. Athenais, however, is seen by the Emperor Theodosius, who himself offers her his hand. The repentance of Varanes for her loss, and the despair of Athenais, form the catastrophe of the tragedy. Leon. So, Athenais; now our compliment To the young Persian prince is at an end; What then remains, but that we take our leave, And bid him everlastingly farewell? Athen. My lord! Leon. I say, that decency requires We should be gone, nor can you stay with honour. Athen. Most true, my lord, Leon. The court is now at peace, The emperor's sisters are retired for ever, And he himself composed; what hinders then, But that we bid adieu to prince Varanes? Athen. Ah, sir, why will you break my heart? Leon. I would not; Thou art the only comfort of my age; [The period of Lee's decease has not been hitherto ascertained. That he was buried in St. Clement's Danes was a clue to the period, and searching the Burial Register there the other day, for some assistance, we found the following entry: "6 April, 1692, Nathaniel Lee a man bur."] Like an old tree I stand among the storms, Thou art the only limb that I have left me, My dear green branch; and how I prize thee, child, Heaven only knows! Why dost thou kneel and weep? [hope, Athen. Because you are so good, and will, I Forgive my fault, who first occasioned it. [prince. Leon. I charged thee to receive and hear the Athen. You did, and, oh, my lord! I heard too much! Too much, I fear, for my eternal quiet. Leon. Rise, Athenais! Credit him who bears More years than thou: Varanes has deceived thee. Athen. How do we differ then! You judge the prince [ness, Impious and base; while I take Heaven to witI think him the most virtuous of men: Therefore, take heed, my lord, how you accuse him, Before you make the trial.-Alas, Varanes, If thou art false, there's no such thing on earth Leon. That day he'll make thee mistress of his power, Which carries a foul name among the vulgar. Borne a pale corpse, and gently laid in earth, Athen. O horrid supposition! how I detest it, That aged head from the descending axe, Leon. O greatly said! and by the blood which warms me, Which runs as rich as any Athens holds, And thousand virgins came from far to hear thee. Athen. Look down, ye powers, take notice we obey The rigid principles ye have infused! Yet oh, my noble father, to convince you, Not that I doubt the prince,—that were to doubt The virgin's troublesome and constant guest, Leon. I wish to heaven There prove no greater bar to my belief. Enter VARANES and ARANTHES. Vara. To fix her on the throne, to me, seems little; Were I a god, yet would I raise her higher, Nor must she gaze that way; my haughty soul, Aran. What do you purpose, then? But, see, she comes, the glory of my arms, Enter ATHENAIS. The only business of my instant thought, Athen. What have you found, my lord, Vara. First let me kneel and swear, And on thy hand seal my religious vow, Straight let the breath of gods blow me from earth, Swept from the book of fame, forgotten ever, If I prefer thee not, O Athenais, To all the Persian greatness! Athen. I believe you For I have heard you swear as much before. [again! Vara. Hast thou? O why then did I swear But that my love knew nothing worthier of thee, And could no better way express my passion. Athen. O rise, my lord! Vara. I will do every thing Which Athenais bids: if there be more In nature to convince thee of my love, Whisper it, oh some god, into my ear! And on her breasts thus to her listening soul I'll breathe the inspiration! Wilt thou not speak? What, but one sigh, no more! Can that suffice For all my vast expense of prodigal love? Oh, Athenais! what shall I say or do, To gain the thing I wish? Athen. What's that, my lord? [hold thee. Vara. Thus to approach thee still! thus to beYet there is more Athen. My lord, I dare not hear you. Vara. Why dost thou frown at what thou dost not know? "Tis an imagination which ne'er pierced thee; Yet, as 'tis ravishing, 'tis full of honour. Athen. I must not doubt you, sir: But oh I tremble To think if Isdigerdes should behold you, Vara. No more of this, no more; for I disdain Athen. I know your royal temper, And that high honour reigns within your breast, Which would disdain to waste so many hours With one of humble blood compared to you, Unless strong passion sway'd your thoughts to love her; Therefore receive, O prince, and take it kindly, For none on earth but you could win it from me, Receive the gift of my eternal love! 'Tis all I can bestow, nor is it little; For sure a heart so coldly chaste as mine, No charms but yours, my lord, could e'er have For the cold dart you shot at me before. Athen. Look there, and cease your wonder; I have sworn To obey my father, and he calls me hence. Enter LEONTINE. Vara. Ha, Leontine! by which of all my actions Have I so deeply injured thee, to merit The smartest wound revenge could form to end me? Leon. Answer me now, oh prince! for virtue prompts me, And honesty will dally now no longer : Vara. How, Leontine ? [loved her; Leon. You saw her, sir, at Athens; said you I charged her humbly to receive the honour, [me? And hear your passion: Has she not, sir, obey'd Vura. She has, I thank the gods! but whither would'st thou ? Leon. Having resolved to visit Theodosius, You swore you would not go without my daughter, Whereon I gave command that she should follow. Vara. Yes, Leontine, my old remembrancer, Most learn'd of all philosophers, you did. Leon. Thus long she has attended, you have seen her, Sounded her virtues and her imperfections; Therefore, dread sir, forgive this bolder charge, Which honour sounds, and now let me demand To satisfy the height of thy ambition. Leon. I know he will not: Fond tears, away! I know, I know he will not; But he would buy with his old man's preferment My daughter * * * * Vara. Away, I say, my soul disdains the motion! Leon. The motion of a marriage; yes, I see it; Your angry looks and haughty words betray it: I found it at the first. I thank you, sir, You have at least rewarded your old tutor For all his cares, his watchings, services; Yet, let me tell you, sir, this humble maid, This daughter of a poor philosopher, Shall, if she please, be seated on a throne As high as that of the immortal Cyrus. Vara. I think that age and deep philosophy Have crack'd thy brain: Farewell, old Leontine, Retire to rest; and when this brawling humour Is rock'd asleep, I'll meet my Athenais, And clear the accounts of love, which thou hast blotted. [Exit. Leon. Old Leontine! perhaps I am mad indeed. But hold, my heart, and let that solid virtue, Which I so long adored, still keep the reins. O Athenais! But I will not chide thee: Fate is in all our actions, and, methinks, At least a father judges so, it has Rebuked thee smartly for thy easiness: There is a kind of mournful eloquence [sorrow. In thy dumb grief, which shames all clamorous Athen. Alas! my breast is full of death; methinks I fear even you Leon. Why shouldst thou fear thy father? Leon. Thy father does forgive thee, Athen. See him! Oh heavens! Leon. Unless it be, my daughter, to upbraid And, oh! I find he will not be dislodged Have emptied all my blood, and died to serve him, As now I shed these drops, or vent these sighs, To show how well, how perfectly I loved him. Leon. No woman sure, but thou, so low in fortune, Therefore the nobler is thy fair example, [her; Would thus have grieved, because a prince adored Athen. EARLY RISING AND PRAYER. FROM "SILEX SCINTILLIANS, OR SACRED POEMS." Yet never sleep the sun up; prayer should Walk with thy fellow-creatures: note the hush Serve God before the world: let him not go [* Nahum Tate, of all my predecessors, must have ranked the lowest of the laureates, if he had not succeeded Shadwell. Southey's Life of Cowper, vol. ii. p. 112.] Pour oil upon the stones, weep for thy sin, Then journey on, and have an eye to heaven. Mornings are mysteries: the first, world's youth, Is styled their star; the stone and hidden food: When the world's up and every swarm abroad, Which must be carried on, and safely may: When Zerah, Nahor, Haran, Abram, Lot, Forms turn to music, clouds to smiles and air; * * THE WREATH. (TO THE REDEEMER.) FROM THE SAME. SINCE I in storms most used to be, Which thorns, not roses, wore: But a twined wreath of grief and praise Through saddest clouds to that glad place Where cloudless quires sing without tears, Sing thy just praise, and see thy face. JOHN DRYDEN. [Born, 1631. Died, 1700.] He sought the storms; but for a calm unfit, * Gen. ch. ix. ver. 16. |