The Holocaust in American Film: Second EditionSyracuse University Press, 2002年1月1日 - 302 頁 This work offers insights into how specific films influenced the Americanization of the Holocaust and how the medium per se helped seed that event into the public consciousness. In addition to an in-depth study on films produced for both theatrical release and TV since 1937 - including The Great Dictator, Cabaret, Julia, and the mini-series Holocaust - this work provides an analysis of Schindler's List and the debate over the merit of Spielberg's vision of the Holocaust. It also examines more thoroughly made-for-television movies, such as Escape From Sobibor, Playing For Time, and War and Remembrance. A special chapter on The Diary of Anne Frank discusses the evolution of that singularly European work into a universal symbol. Paying special attention to the tumultuous 1960s in America, it assesses the effect of the era on Holocaust films made during that time. It also discusses how these films helped integrate the Holocaust into the fabric of American society, transforming it into a metaphor for modern suffering. Finally, the work explores cinema in relation to the Americanization of the Jewish image. |
搜尋書籍內容
第 1 到 3 筆結果,共 29 筆
第 頁
... Dictator begins during World War I , set in a myth- ical country called Tomania . Its plot goes as follows : A Jewish barber saves the life of a fellow Tomanian soldier named Schultz but is himself injured and hospitalized with amnesia ...
... Dictator begins during World War I , set in a myth- ical country called Tomania . Its plot goes as follows : A Jewish barber saves the life of a fellow Tomanian soldier named Schultz but is himself injured and hospitalized with amnesia ...
第 頁
... Dictator , on the other hand , has a grand vision with the Jew at its center as the archetypical man . The image of the Jew in The Great Dictator is more a function of Chaplin's humanitarian vision than a reflection of popular consensus ...
... Dictator , on the other hand , has a grand vision with the Jew at its center as the archetypical man . The image of the Jew in The Great Dictator is more a function of Chaplin's humanitarian vision than a reflection of popular consensus ...
第 頁
... Dictator is not funny . Its laughter originates in despair . As Bosley Crowther writes in his New York Times review of the film : " If " The Great Dictator ' seems less funny than any- thing Chaplin has done before it is because the ...
... Dictator is not funny . Its laughter originates in despair . As Bosley Crowther writes in his New York Times review of the film : " If " The Great Dictator ' seems less funny than any- thing Chaplin has done before it is because the ...
內容
Acknowledgments for the Second Edition | |
Two The Diary of Anne Frank in the Context of Post | |
The 1960s and 1970s 85 | |
著作權所有 | |
2 個其他區段未顯示
其他版本 - 查看全部
常見字詞
Abby Mann American Film Anne Frank anti-Semitism appeared attempt audience Auschwitz becomes Books called camps Center characters Christian Collection concern contemporary critic culture dealing death destruction Diary of Anne Dictator Effects Eichmann Elie established Europe European event example fact fiction Files Final Solution German ghetto guilt Hacketts happened Hitler Hollywood Holocaust in American hope House human important influence Israel issue Jewish Jewry Jews Judgment Julia Letter lives major mass meaning memory mind movie Nazi Notes Nuremberg perhaps period picture play political popular present Press problem produced question reality reference Reflections refugees regard relation Research response role Rothschild says scene Schindler's Schindler's List script seems social society stereotypes story suffering suggests symbol television Theater theme tion trial trivialization understand United University victims Wiesel writes York