The Holocaust in American Film: Second EditionSyracuse University Press, 2002年1月1日 - 302 頁 This work offers insights into how specific films influenced the Americanization of the Holocaust and how the medium per se helped seed that event into the public consciousness. In addition to an in-depth study on films produced for both theatrical release and TV since 1937 - including The Great Dictator, Cabaret, Julia, and the mini-series Holocaust - this work provides an analysis of Schindler's List and the debate over the merit of Spielberg's vision of the Holocaust. It also examines more thoroughly made-for-television movies, such as Escape From Sobibor, Playing For Time, and War and Remembrance. A special chapter on The Diary of Anne Frank discusses the evolution of that singularly European work into a universal symbol. Paying special attention to the tumultuous 1960s in America, it assesses the effect of the era on Holocaust films made during that time. It also discusses how these films helped integrate the Holocaust into the fabric of American society, transforming it into a metaphor for modern suffering. Finally, the work explores cinema in relation to the Americanization of the Jewish image. |
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第 1 到 3 筆結果,共 33 筆
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... Auschwitz . Indeed it would be a futile exercise . For the inescapable truth is that all tragedies have within them moments that go unwritten in order to spare us , to allow us to continue living . This is especially true of Auschwitz ...
... Auschwitz . Indeed it would be a futile exercise . For the inescapable truth is that all tragedies have within them moments that go unwritten in order to spare us , to allow us to continue living . This is especially true of Auschwitz ...
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... Auschwitz and The Distant Journey at Terezin . Wanda Jakubowska's The Last Stop , in fact , em- ployed survivors of Auschwitz in the actual filming . But how- ever these films resemble each other stylistically , it is the similarity in ...
... Auschwitz and The Distant Journey at Terezin . Wanda Jakubowska's The Last Stop , in fact , em- ployed survivors of Auschwitz in the actual filming . But how- ever these films resemble each other stylistically , it is the similarity in ...
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... Auschwitz ( 1986 ) and Majdanek 1944 Victims and Criminals ( 1986 ) . The narration in The Liberation of Auschwitz tends to universalize the victims throughout : Jews , Poles , Yugoslavs , and other nationalities were destroyed in ...
... Auschwitz ( 1986 ) and Majdanek 1944 Victims and Criminals ( 1986 ) . The narration in The Liberation of Auschwitz tends to universalize the victims throughout : Jews , Poles , Yugoslavs , and other nationalities were destroyed in ...
內容
Acknowledgments for the Second Edition | |
Two The Diary of Anne Frank in the Context of Post | |
The 1960s and 1970s 85 | |
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Abby Mann American Film Anne Frank anti-Semitism appeared attempt audience Auschwitz becomes Books called camps Center characters Christian Collection concern contemporary critic culture dealing death destruction Diary of Anne Dictator Effects Eichmann Elie established Europe European event example fact fiction Files Final Solution German ghetto guilt Hacketts happened Hitler Hollywood Holocaust in American hope House human important influence Israel issue Jewish Jewry Jews Judgment Julia Letter lives major mass meaning memory mind movie Nazi Notes Nuremberg perhaps period picture play political popular present Press problem produced question reality reference Reflections refugees regard relation Research response role Rothschild says scene Schindler's Schindler's List script seems social society stereotypes story suffering suggests symbol television Theater theme tion trial trivialization understand United University victims Wiesel writes York