Morality of Fiction: Or, An Inquiry Into the Tendency of Fictitious Narratives, with Observations on Some of the Most EminentMundell, 1805 - 174 頁 |
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第 1 到 5 筆結果,共 14 筆
第 5 頁
... a material difference , indeed , be- tween the affairs of public and of private life . The former can be known only through the medium of history , while every man , by means of his own experience , must obtain a considerable A 3 . 5.
... a material difference , indeed , be- tween the affairs of public and of private life . The former can be known only through the medium of history , while every man , by means of his own experience , must obtain a considerable A 3 . 5.
第 6 頁
... considerable acquaintaince with the latter . It were to be wished , however , that he could obtain some portion of it , previous to his en- trance upon active life . Experience comes late , and is often too dearly bought . Before ...
... considerable acquaintaince with the latter . It were to be wished , however , that he could obtain some portion of it , previous to his en- trance upon active life . Experience comes late , and is often too dearly bought . Before ...
第 32 頁
... considerable embarrassment arises . For , on the one hand , his merit ought to be as much as possible intrinsic , and independent of outward circumstances . At the same time , to make him strikingly de- ficient in qualifications which ...
... considerable embarrassment arises . For , on the one hand , his merit ought to be as much as possible intrinsic , and independent of outward circumstances . At the same time , to make him strikingly de- ficient in qualifications which ...
第 42 頁
... considerable degree , probability or the truth of nature . Having examined these questions regard- ing the manner in which narratives written- with this design ought to be conducted , it may be proper to say a few words on the ...
... considerable degree , probability or the truth of nature . Having examined these questions regard- ing the manner in which narratives written- with this design ought to be conducted , it may be proper to say a few words on the ...
第 52 頁
... also in an historical point of view . The Iliad has been often considered as a moral poem , designed to illustrate the bad effects of immoderate anger . Nay , some critics of considerable eminence have gone so far as to 52.
... also in an historical point of view . The Iliad has been often considered as a moral poem , designed to illustrate the bad effects of immoderate anger . Nay , some critics of considerable eminence have gone so far as to 52.
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常見字詞
acquainted action admiration Æneid affords agreeable altogether amiable amusing appear beauties cern certainly character chiefly chivalry circumstance composition conduct connected considered danger degree discover display disposition doubt effects elegant eminent emotion epic poetry example excels exhibit favour favourite feeling fiction fictitious former frequently genius Gil Blas give Greece habit Heloise hero Homer human nature Iliad impression improvement instruction interesting latter leading less Lord Kaimes Madame de Genlis mankind manners MARIVAUX means merit mind mode of writing moral narrative neral observation opinion passion pathetic powers peculiar perfection perform perhaps poem poetical poetry portunity possess principle probably produced propensity proper qualities quire racter reader real events reason refined regard respect rhymes rience Roger de Coverley romances seems sentiments shew species spectator story superior tain taste Telemachus tend tendency thing thor tion Tom Jones truth turally vice Virgil virtue virtuous writer Xenophon
熱門章節
第 163 頁 - THE curfew tolls the knell of parting day, The lowing herd wind slowly o'er the lea, The plowman homeward plods his weary way, And leaves the world to darkness and to me. Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds...
第 167 頁 - I care not, fortune, what you me deny ; You cannot rob me of free nature's grace ; You cannot shut the windows of the sky, Through which Aurora shows her brightening face, You cannot bar my constant feet to trace The woods and lawns, by living stream, at eve : Let health my nerves and finer fibres brace, And I their toys to the great children leave : Of fancy, reason, virtue, nought can me bereave.
第 165 頁 - With vain attempt. Him the Almighty Power Hurled headlong flaming from the ethereal sky With hideous ruin and combustion down To bottomless perdition, there to dwell In adamantine* chains and penal fire, Who durst defy the Omnipotent to arms.
第 168 頁 - And missing thee, I walk unseen On the dry smooth-shaven green. To behold the wandering moon, Riding near her highest noon. Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bowed, Stooping through a fleecy cloud.
第 158 頁 - In narratives, where historical veracity has no place* I cannot discover, why there should not be exhibited the most perfect idea of virtue ; of virtue not angelical, nor above probability, for what we cannot credit we shall never imitate ; but the highest and purest that humanity can reach...
第 158 頁 - Vice, for vice is necessary to be shewn, should always disgust; nor should the graces of gaiety, or the dignity of courage, be so united with it, as to reconcile it to the mind. Wherever it appears, it should raise hatred by the malignity of its practices, and contempt by the meanness of its stratagems; for while it is supported by either parts or spirit, it will be seldom heartily abhorred.
第 164 頁 - He spoke, and awful bends his sable brows, Shakes his ambrosial curls, and gives the nod, The stamp of fate, and sanction of the god : High Heaven with trembling the dread signal took, And all Olympus to the centre shook.
第 157 頁 - ... made perfectly detestable, because they never could be wholly divested of their excellencies; but such have been in all ages the great corrupters of the world, and their resemblance ought no more to be preserved, than the art of murdering without pain.
第 155 頁 - But if the power of example is so great as to take possession of the memory by a kind of violence, and produce effects almost without the intervention of the will, care ought to be taken that, when the choice is unrestrained, the best examples only should be exhibited ; and that which is likely to operate so strongly should not be mischievous or uncertain in its effects.
第 155 頁 - It is justly considered as the greatest excellency of art to imitate nature ; but it is necessary to distinguish those parts of nature which are most proper for imitation : greater care is still required in representing life, which is so often discoloured by passion or deformed by wickedness.