The Bucknell Review, 第 16 卷Bucknell University Press, 1968 |
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第 1 到 3 筆結果,共 13 筆
第 106 頁
... painting - the writer assumes a similar structure in his language which parallels the intent , the ' feel ' of the ... paintings as his theme , not art criticism . Published without illustrations , any literary account of a visual work ...
... painting - the writer assumes a similar structure in his language which parallels the intent , the ' feel ' of the ... paintings as his theme , not art criticism . Published without illustrations , any literary account of a visual work ...
第 107 頁
... painting on a wall ; we notice other works creeping into our visual field for comparison or contrast , thus heightening our response to the particular work . We might point also to the actual spatial distance between the work and the ...
... painting on a wall ; we notice other works creeping into our visual field for comparison or contrast , thus heightening our response to the particular work . We might point also to the actual spatial distance between the work and the ...
第 108 頁
... painting these media of reproductions are adequate ; they show us something . But then conventional easel painting as we know it - a stretched two- dimensional canvas with pigment on the surface - no longer dominates the art scene today ...
... painting these media of reproductions are adequate ; they show us something . But then conventional easel painting as we know it - a stretched two- dimensional canvas with pigment on the surface - no longer dominates the art scene today ...
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