The Bucknell Review, 第 16 卷Bucknell University Press, 1968 |
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第 1 到 3 筆結果,共 21 筆
第 112 頁
... Cummings ' experiments with typography or with grammar and syntax . Charles Olson in the " Projective Verse " manifesto established Cummings with Pound and Williams as pioneers and patrons of Field Composition , which has become the ...
... Cummings ' experiments with typography or with grammar and syntax . Charles Olson in the " Projective Verse " manifesto established Cummings with Pound and Williams as pioneers and patrons of Field Composition , which has become the ...
第 113 頁
... Cummings ' use of language . Cummings shares with many post - Romantic writers a distrust of what they call abstraction , meaning by the word " an absolute not of my own devising . " Abstractions lack the rich potential of significance ...
... Cummings ' use of language . Cummings shares with many post - Romantic writers a distrust of what they call abstraction , meaning by the word " an absolute not of my own devising . " Abstractions lack the rich potential of significance ...
第 115 頁
... Cummings ' . The first is the conceit yoking a concrete term with an abstraction — as Marvell's " deserts of vast eternity " or Dickinson's " the carriage held but just ourselves / And Immortality . " Cummings does this repeatedly in ...
... Cummings ' . The first is the conceit yoking a concrete term with an abstraction — as Marvell's " deserts of vast eternity " or Dickinson's " the carriage held but just ourselves / And Immortality . " Cummings does this repeatedly in ...
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