Renaissance Drama, 第 17 卷

action anachronism Arte nuevo audience Calatrava Calderón Cambridge characters comedia comendador comendador mayor Comus conflict consciousness Cordoba court crisis critics crowd culture Derrida desire dicha dicho difference dominant Elizabethan England English fact father Fernán Gómez Fuenteovejuna gender genre Greene Hendrik Hendrik de Keyser Henry Clifford Hic Mulier history plays honor identity ideological individual inversion John Keyser king Lazarillo de Tormes London Lope de Vega Lope's lord Marlowe masculine masque masquers medieval metaphysical modern Mulier Nashe nature Order of Calatrava Palencia Peribáñez players political poststructuralism present provincial Rades radical rebels Renaissance Renaissance Drama repressed Richard Richard II rituals Roaring Girl romance Rosaura royal scene seen Segismundo sense sexual Shakespeare sixteenth century Skipton social order society Spain Spanish stage structure sworn association Tamburlaine temporal theater theatrical tion town traditional transgression transvestite Tudor University vida es sueño violence Wits women word York