The Augustan VisionWeidenfeld & Nicolson, 1974 - 318 頁 |
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第 1 到 3 筆結果，共 12 筆
第 64 頁
... Clarissa is pretty static , and that is cause and emblem of her tragedy . But if people are comparatively stationary , words aren't . It is letters which zoom across country in Clarissa , and they define the nature of the book in more ...
... Clarissa is pretty static , and that is cause and emblem of her tragedy . But if people are comparatively stationary , words aren't . It is letters which zoom across country in Clarissa , and they define the nature of the book in more ...
第 271 頁
... Clarissa ( 1747-8 ) . Nothing in Richardson himself , for that matter . He seems to have had no worthwhile inner life , yet he devised a supreme vehicle for personal expression . Clarissa is great in just the area where we should least ...
... Clarissa ( 1747-8 ) . Nothing in Richardson himself , for that matter . He seems to have had no worthwhile inner life , yet he devised a supreme vehicle for personal expression . Clarissa is great in just the area where we should least ...
第 272 頁
... Clarissa personalizes the cheerful and uncomplicated rhetoric of Augustan fiction lies in the epistolary form . The main correspondents are four : Clarissa and her friend Anna Howe , Lovelace and his friend John Belford . Most of the ...
... Clarissa personalizes the cheerful and uncomplicated rhetoric of Augustan fiction lies in the epistolary form . The main correspondents are four : Clarissa and her friend Anna Howe , Lovelace and his friend John Belford . Most of the ...
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achieved Addison admired aesthetic allegory artistic Augustan Beggar's Opera career Century London CHAPTER character Chesterfield Cibber Clarissa Colley Cibber comedy comic contemporary course criticism Crusoe culture Defoe drama Dryden Dunciad eighteenth century England English Epistle Essay fact feeling fiction Fielding Fielding's Grub Street Gulliver Henry Fielding Hogarth Horace Walpole Humphry Clinker Ian Watt ideas imaginative important interest Jacobite rising John Johnson Jonathan Wild kind language later less letters literary literature living Locke Lord Matthew Prior mode moral narrative narrator Nash natural Newton novel Opera Oxford Pamela patron period play poem poet poetic poetry political Pope Pope's prose reader Richardson Robert Walpole Samuel Richardson satire scene Scriblerian sense Smollett social society sort Sterne style Swift taste theme things Thomson tion Tom Jones trade tragedy Tristram Shandy verse Walpole Whig whilst William women writer wrote