A Midsummer Night's DreamPenguin, 2016年7月5日 - 144页 The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of A Midsummer Night’s Dream is edited with an introduction by Russ McDonald and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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共有 19 个结果,这是第 1-5 个
第ii页
... forms, culminating in 1692 with The Fairy Queen, an anonymous adaptation with magnificent music by Purcell. The costumes are those of the early-eighteenth-century stage. William Shakespeare A Midsummer Night's Dream EDITED BY RUSS McDONALD.
... forms, culminating in 1692 with The Fairy Queen, an anonymous adaptation with magnificent music by Purcell. The costumes are those of the early-eighteenth-century stage. William Shakespeare A Midsummer Night's Dream EDITED BY RUSS McDONALD.
第x页
... stage during the spring-summer playing season. In early 1592, the Rose's owner, Philip Henslowe, paid to renovate and expand his theater; the new stage was at least 18 feet deep, perhaps more if the stage boards projected out over the ...
... stage during the spring-summer playing season. In early 1592, the Rose's owner, Philip Henslowe, paid to renovate and expand his theater; the new stage was at least 18 feet deep, perhaps more if the stage boards projected out over the ...
第xi页
... stages, performances began between noon and two o'clock and ran without a break for two or three hours. They often ... stage, to represent the stars and the zodiac. Appropriate painted canvas pictures (of Jerusalem, for example, if the ...
... stages, performances began between noon and two o'clock and ran without a break for two or three hours. They often ... stage, to represent the stars and the zodiac. Appropriate painted canvas pictures (of Jerusalem, for example, if the ...
第xii页
... stage (as in Bertolt Brecht's twentieth-century productions). Equally captivating (and equally irritating to the theater's enemies) were the rich costumes and personal props the actors used: the most valuable items in the surviving ...
... stage (as in Bertolt Brecht's twentieth-century productions). Equally captivating (and equally irritating to the theater's enemies) were the rich costumes and personal props the actors used: the most valuable items in the surviving ...
第xiii页
... stage filling one end of the rectangle and the audience arrayed in seats or benches across (and sometimes lining) the building's longer axis. These spaces staged plays less frequently than the public theaters (perhaps only once a week) ...
... stage filling one end of the rectangle and the audience arrayed in seats or benches across (and sometimes lining) the building's longer axis. These spaces staged plays less frequently than the public theaters (perhaps only once a week) ...
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