The Bucknell Review, 第 12-13 卷Bucknell University Press, 1954 |
搜尋書籍內容
第 1 到 3 筆結果,共 49 筆
第 93 頁
... imagination - limits that Irving failed utterly to observe in his " Italian Robber " -demand that the artistically created world co- exist with actuality . Permit the imagination to be wholly separated from human experience - as gothic ...
... imagination - limits that Irving failed utterly to observe in his " Italian Robber " -demand that the artistically created world co- exist with actuality . Permit the imagination to be wholly separated from human experience - as gothic ...
第 63 頁
... imagination and memory . It depends upon the remembrance of things absent . The movement of a film is given ; it consists of the remembrance of things present . The movement in a painting must be re - created by the spec- tator ...
... imagination and memory . It depends upon the remembrance of things absent . The movement of a film is given ; it consists of the remembrance of things present . The movement in a painting must be re - created by the spec- tator ...
第 90 頁
... imagination rather than in his physi- cal being . Keats's physical condition during a mystical experience is usually ... imagination is the all - important agent in the poetic process . But the imagination works differently for each poet ...
... imagination rather than in his physi- cal being . Keats's physical condition during a mystical experience is usually ... imagination is the all - important agent in the poetic process . But the imagination works differently for each poet ...
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