Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 87 筆
第 99 頁
... write according to moral principles : the Socratic dialogues will be able to clarify your philosophy , ( 310 ) and the words themselves will freely follow the philo- sophy , once it has been seen before you write . The man who has ...
... write according to moral principles : the Socratic dialogues will be able to clarify your philosophy , ( 310 ) and the words themselves will freely follow the philo- sophy , once it has been seen before you write . The man who has ...
第 188 頁
... write at all , or to attempt some other way . There is no bays to be expected in their walks : tentanda via est , qua me quoque possum tollere humo.54 ' This way of writing in verse they have only left free to us ; our age is arrived to ...
... write at all , or to attempt some other way . There is no bays to be expected in their walks : tentanda via est , qua me quoque possum tollere humo.54 ' This way of writing in verse they have only left free to us ; our age is arrived to ...
第 428 頁
... write from his experience , that his " characters must be real and such as might be met with in actual life , ” that “ a young lady brought up in a quiet country village should avoid de- scriptions of garrison life , " and " a writer ...
... write from his experience , that his " characters must be real and such as might be met with in actual life , ” that “ a young lady brought up in a quiet country village should avoid de- scriptions of garrison life , " and " a writer ...
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action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon