Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
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第 1 到 3 筆結果,共 85 筆
第 183 頁
... verse , or the measure of verse kept exactly without rhyme . These numbers therefore are fittest for a play ; the others for a paper of verses , or a poem ; blank verse being as much below them , as rhyme is improper for the Drama . And ...
... verse , or the measure of verse kept exactly without rhyme . These numbers therefore are fittest for a play ; the others for a paper of verses , or a poem ; blank verse being as much below them , as rhyme is improper for the Drama . And ...
第 185 頁
... verse ; and yet Corneille , the most judicious of the French poets , is still varying the same sense an hundred ways , and dwelling eternally on the same subject , though Some other exceptions I have to verse ; but being these I have ...
... verse ; and yet Corneille , the most judicious of the French poets , is still varying the same sense an hundred ways , and dwelling eternally on the same subject , though Some other exceptions I have to verse ; but being these I have ...
第 186 頁
... verse . A good poet never concludes upon the first line , till he has sought out such a rhyme as may fit the sense , already prepared to heighten the second : many times the close of the sense falls into the middle of the next verse ...
... verse . A good poet never concludes upon the first line , till he has sought out such a rhyme as may fit the sense , already prepared to heighten the second : many times the close of the sense falls into the middle of the next verse ...
常見字詞
action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon