Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 84 筆
第 25 頁
... Tragedy as in Epic poetry . Of their constituent parts some are common to both , some peculiar to Tragedy : whoever , therefore , knows what is good or bad Tragedy , knows also about Epic poetry . All the elements of an Epic poem are ...
... Tragedy as in Epic poetry . Of their constituent parts some are common to both , some peculiar to Tragedy : whoever , therefore , knows what is good or bad Tragedy , knows also about Epic poetry . All the elements of an Epic poem are ...
第 26 頁
... tragedy ; and the end is the chief thing of all . Again , without action there cannot be a tragedy ; there may be without character . The tragedies of most of our modern poets fail in the rendering of character ; and of poets in general ...
... tragedy ; and the end is the chief thing of all . Again , without action there cannot be a tragedy ; there may be without character . The tragedies of most of our modern poets fail in the rendering of character ; and of poets in general ...
第 31 頁
... tragedy which is between complete choric songs . The Exode is that entire part of a tragedy which has no choric song after it . Of the Choric part the Parode is the first undivided utterance of the Chorus : the Stasimon is a Choric ode ...
... tragedy which is between complete choric songs . The Exode is that entire part of a tragedy which has no choric song after it . Of the Choric part the Parode is the first undivided utterance of the Chorus : the Stasimon is a Choric ode ...
常見字詞
action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon