Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 79 筆
第 186 頁
... sense , already prepared to heighten the second : many times the close of the sense falls into the middle of the next verse , or farther off , and he may often prevail himself of the same advantages in English which Virgil had in Latin ...
... sense , already prepared to heighten the second : many times the close of the sense falls into the middle of the next verse , or farther off , and he may often prevail himself of the same advantages in English which Virgil had in Latin ...
第 367 頁
... sense of the word , upon their own and all succeeding times . But poets have been challenged to resign the civic crown to reasoners and mechanists , on another plea . It is admitted that the exercise of the imagination is most ...
... sense of the word , upon their own and all succeeding times . But poets have been challenged to resign the civic crown to reasoners and mechanists , on another plea . It is admitted that the exercise of the imagination is most ...
第 454 頁
... sense , which we may call nearly indispensable to any one who would continue to be a poet beyond his twenty - fifth year ; and the historical sense involves a perception , not only of the pastness of the past , but of its presence ; the ...
... sense , which we may call nearly indispensable to any one who would continue to be a poet beyond his twenty - fifth year ; and the historical sense involves a perception , not only of the pastness of the past , but of its presence ; the ...
常見字詞
action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon